Tag Archives: outdoor

Photographs: Italy, Photographs: Urban/Street

Cafe, Tourists, and Duomo

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Cafe, Tourists, and Duomo
Morning visitors walk past an outdoor cafe and the Duomo, Florence

Cafe, Tourists, and Duomo. Florence/Firenze, Italy. August 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning visitors walk past an outdoor cafe and the Duomo, Florence

At the risk of repeating something I’ve previously shared, when I travel I often almost make it a point to not know too much precise detail about where I’m going, especially if the place is new. (I won’t go so far as wanting to know nothing, since that could make things very complicated!) The idea is that this lets me discover the place when I get there, thus giving me a sort of personal map of the location and my own orientation to it. This also means that I can have the joy of actual discovery while I’m on location, as differentiated by the recognition that, yeah, I know about this place.

I almost hesitate to admit how naive I was about Florence. I knew some odd background facts — for example, the importance of the Florentine camera — in classical music. But beyond that I know pretty much that a) it is in Italy and b) driving there isn’t supposed to be fun. My first major moment of “discovery” was walking around a corner to see the Duomo at night — I think that the experience was more awesome (in the true sense of “evoking awe”) than it would have been if I had read about the place. I made this photograph on our last morning in Florence, as we made a final visit to the area around the Duomo before heading to the airport to begin our long journey home.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Patio, Reflections

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Patio, Reflections
Reflections in the window of an outdoor patio area at SFMOMA

Patio, Reflections. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections in the window of an outdoor patio area at SFMOMA

This is (yet another!) photograph from our pre-opening visit to the newly updated and expanded SFMOMA (San Francisco Museum of Modern Art). The museum has been closed for something like two years while major construction was ongoing, and many have been waiting with a sense of expectation for the reopening, which took place in mid-May of this year.

It was a beautifully gray and wet day in San Francisco, with soft and gentle light. Several times I went outside onto the various patios and balconies that open from the museum to the surrounding urban San Francisco landscape, and the artificial structure produced by the expanses of reflecting glass became a subject. The extend and amplify open and lighted spaces, and make them seem to appear where big and solid building structures actually exist.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Photographers

Photographer, Death Valley

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Photographer, Death Valley
Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Photographer, Death Valley. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Patricia Emerson Mitchell at work in the desert landscape of Death Valley National Park in morning light. Our morning here started much earlier, well before sunrise, and we walked out across the playa and around the side of dunes before sunrise. We arrived at the dunes just as the first light arrived, hitting the mountains to our west and then working its way down to the valley floor and across to us. Landscape photography might seem like a rather leisurely pursuit — after all, mountains don’t move much! — but at these times of marginal light things can happen very quickly.

We continued photographing after sunrise, enjoying the chance to explore the nearly endless subjects among the forms and colors and textures of the dunes. Eventually the sun would rise high enough to diminish the beauty of the light and it would be time to leave. It was perhaps approaching that time when I stopped atop a low dune and saw Patty photographing across the landscape, with her long shadow extending in front of her camera and the distant mountains of the Panamint Range rising in beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

First Light, Trees, Lake, and Ridge

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First Light, Trees, Lake, and Ridge
Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

First Light, Trees, Lake, and Ridge. Sequoia National Park, California. August 8, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

This was the scene on the morning of this fifth day or a trip of over a week across the High Sierra Trail, a trip that would eventually summit Mount Whitney before descending the east side of the Sierra. To me, this route feels like it is composed of several distinct sections. The first couple of days are the approach, reaching the first high country from a west side trailhead. The next few of days are the crossing of the Kaweahs and the descent to the ridges above Big Arroyo, a portion of the trip that has the distinct feeling of remoteness and of dropping down to much lower country. Then there is the march up the Kern and the ascent to meet the JMT, followed by the lateral over to a base camp below Whitney, with the finale being the ascent of this ridge and then the long descent to Whitney Portal.

This morning was in that post-Kaweah phase, at our second camp after crossing the Gap. This lake, a bit off the “official” route, is a quiet and forested place with a gentle feeling that contrasts the rough edges of the higher country. We awoke this morning and I was out before dawn, photographing the first light on this high ridge beyond the trees and across the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.