Tag Archives: overlook

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Salt Flat Patterns

Salt Flat Patterns
Salt Flat Patterns

Salt Flat Patterns. Death Valley National Park, California. March 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of Death Valley salt flats as seen from Dantes View

Death Valley is often not quite what it seems to be. Repeat visits and views from different perspectives – far away, very close up, from above – begin to reveal things that you might not see at first. From next to and on the salt flats in the lowest section of the Valley, you see a very desolate terrain – one of the most non-human terrains I know. Here, well below sea level, there are places that seem completely inhospitable and alien, landscapes of caked salt, worked and sharp-edged salt and dried mud, seeps of shallow water, occasional odd plants, and landscape that often seems to go on almost endlessly the same way. But just as looking more closely reveals surprises (such as living creatures in those millimeters-deep pools of salty water), the view from overhead shows patterns that cannot be readily seen up close.

This photograph was made from the summit of Dantes View. This high point along the eastern side of the valley is close to a mile above the Valley floor. The view can often be panoramic, stretching for tremendous distances in almost all directions, blocked only by the higher peaks of the Panamint Range to the west and a few other high points nearby. Although Dantes View is one of the best known “iconic” locations in the park, I have a complicated relationship with the place. First of all, I seem to attract awful weather when I go there, perhaps because I tend to do so in the season that is winter elsewhere in the state. Not too long ago I attempted to drive to the summit on a winter day and was turned back by a snow storm perhaps a half mile from the end of the road. In addition, it has been hard for me to warm up to the place as a photographic subject. In some ways, there is almost just too much in the view for me to see how to isolate a photograph out of that detailed immensity. I dealt with that here by using a very long lens and restricting my view to a small section of the valley floor, without much context of surrounding terrain, which I think produces a photograph that allows the features in this frame to be seen as abstractions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Juniper, Red Rock, La Sal Mountains

Juniper, Red Rock, La Sal Mountains - A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park
A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park

Juniper, Red Rock, La Sal Mountains. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park.

We had a great visit to Canyonlands National Park, though the lighting was challenging, to say the least. Our visit took us up to the “island in the sky” highlands and included a stop at the Dead Horse Point State Park. Initially, the light challenges were simply from the midday light and the fact that there was a certain amount of haze in the air. The haze can be a nice effect in some cases, but it can also obscure some of the longer views such as those from this high plateau. As the day wore on, clouds began to collect to the west and, as luck would have it, the thickest portion of the clouds were almost directly west of us. Ultimately, this interfered with my chances for dusk shooting, but sometimes that’s just the way it goes.

Before heading to the golden hour light location that I had selected, we drove down to the “Grand View” overlook – appropriately named, as anyone who has been there can confirm. Here the high plateau ends suddenly with a steep thousand foot drop off to the next lower level of strata and the Green River joins the Colorado in the vast and rugged terrain to the south. I did eventually make some photographs of that subject – it is sort of obligatory! However, as I walked to the overlook I saw to my left this chunk of cliff-edge sandstone with its resident juniper and remembered looking at it the last time I was there. The soft light produced by the overcast was a Good Thing here, as full sun would have produced a very harsh effect on the rocks. Beyond lies the giant valley of the Colorado River and even further out are the high and distant peaks of the La Sal mountains.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset, Chessman Point, Cedar Breaks

Sunset, Chessman Point, Cedar Breaks - Sunset light at Chessman Point, Cedar Breaks National Monument
Sunset light at Chessman Point, Cedar Breaks National Monument

Sunset, Chessman Point, Cedar Breaks. Cedar Breaks National Monument, Utah. October 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light at Chessman Point, Cedar Breaks National Monument.

This was my first visit to Cedar Breaks National Monument in Utah. On my previous trip though Utah we had driven past the roads leading to Cedar Breaks and – doing what one does while driving these days! – we looked it up on the iPhone, and it sounded quite interesting. The descriptions suggested a high elevation bowl with Bryce Canyon-like features that would be open to the west and sunset light. With this in mind, we decided to end our cross-Nevada drive with an overnight at Brian Head, the seasonally dormant ski area where rooms were both relatively inexpensive and quite nice! After checking in we drove on up the road to the National Monument.

The terrain is very interesting and very “not California” to this Sierra Nevada guy. On one side of the ridge is a gently rolling high terrain of alternative forest and meadows, just the sort of place to find lots of deer in the evening and an altogether quiet and peaceful sort of place. On the other side of the ridge, however, things are quite different. The mountain simply drops away to the west, with brightly colored and complex fluted canyons of red rock and soil. Far below and in the distance we could see large groves of aspen trees. A strong wind was blowing up the west-side canyons, but I managed to stabilize things enough to make a few photographs of this spectacular terrain in near-dusk light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.