Tag Archives: patched

Photographs: Architecture, Photographs: Scotland, Photographs: Travel, Photographs: Urban/Street

Blue Frames

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Blue Frames
“Blue Frames” — An old stone building with blue frames around doors and windows, Stirling, Scotland.

The main focus of our visit to Scotland earlier this year was waking the Great Glen Way from Fort William to Inverness, but that hike only took up about a third of our visit. Before the walk we spent several nights adjusting to jet lag, including stays in Glasgow, Oban, and Fort William. After the walk we had a night in Inverness, and multiple nights in Stirling, Glasgow, and Edinburgh… before a bit more than a week in England. Stirling, where I made this photograph, was our first serious non-hiking destination after the walk.

Like so many old towns — and Stirling is very old — the construction materials often reflect what was available locally. Here many of the old buildings are stone — they have been updated for modern tenants, but their appearance is far from contemporary. I love interesting geometry and color, and this juxtaposition of old stone walls with the blue-painted frames around the doors and windows caught my attention. Looking more closely, you may also see the remnants of older openings that have been closed off.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Structures and Objects

Metal Building, Distressed Paint

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Metal Building, Distressed Paint
Metal industrial building with marks from patched paint

Metal Building, Distressed Paint. © Copyright 2018 G Dan Mitchell – all rights reserved.

Metal industrial building with marks from patched paint

This is another of the pre-dark twilight photographs I made on my recent visit to the Mare Island Naval Ship Yard to do night photography. A group of us assembled bit by bit, some starting close to the middle of the day and others, like me, arriving shortly before dark. About a half hour before sunset I headed out, beginning with some daylight photograph around some industrial buildings I had noticed on my way to the meet-up. By the time I got there and got set up I was only able to make a few photographers before the sun set far to the west over San Francisco, but the twilight light is also interesting to work with.

In this photograph I was interested in the objective qualities of the old building with its weathered and patched metal walls, especially in the random nature of the patched paint along with the juxtaposition of the warmer colors on the walls and the cool, blue tones on the roof, with all of the colors altered in the blue twilight. At the same time, I went with the wide and narrow landscape orientation of this photograph in an attempt to treat the colors and forms as abstract elements, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Green Door, Brick Wall

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Green Door, Brick Wall
Repainted and patched green door in the brick wall of an old San Francisco building

Green Door, Brick Wall. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Repainted and patched green door in the brick wall of an old San Francisco building

On this mid-August morning I got up early, took the bus to the train and the train to San Francisco, then walked right up into the downtown core of the City. The walk began with among train commuters heading up toward Market Street, past construction zones, freeway interchanges, and lots of traffic. Once at Market Street I turned toward the Bay and walked slowly, stopping frequently to watch and photograph. At the end of Market I turned south and began my walk back to the train station along the Embarcadero.

Eventually I decided to leave the Embarcadero and follow smaller streets to cross back to the Caltrain station. Like so many parts of San Francisco today, this is an area in transition. There are still some gritty old buildings, but things are rapidly evolving in a much more upscale and expensive direction — and for now the gritty and the modern live side by side. But not for long. Given the price of real estate in this area, funky old buildings like the one with this doorway do not have much of a future. I imagine that almost all of them will be knocked down for more condos and townhouses, and those that remain will be cleaned up and gentrified in ways that retain only the stylish chic quality. Two things (at least) caught my attention about this doorway, at least sufficiently to make me stop for a minute and make a few exposures. First is the stark contrast between the pinkish color of the painted bricks and greens of the doorway. Second is the sum effect of paint over graffiti and then painting it over again, which often produces interesting cubist patterns on San Francisco architecture in places like this.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.