Tag Archives: pattern

Spring Ice, Snowy Mountains

Spring Ice, Snowy Mountains
A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

Spring Ice, Snowy Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

For many of us the annual re-opening of Tioga Pass Road through the Yosemite high country marks the beginning of the “summer” season, even though it often takes place in late spring. (And, “the season” typically extends into autumn, too.) Whenever I can, I try to be there on the day the road opens. For those familiar with the route from more typical summer visits, the conditions can be a real surprise, especially in years of heavy snowfall and late melts. In the big years there is water everywhere — waterfalls flowing, creeks and rivers are filled to (and beyond) their banks, meadows are flooded, and sometimes the creeks flow right across the roadway. Conditions beyond the road can be quite difficult, approaching impossible at times. (I recall one very early season hike to Parker Pass, when creek crossings were surprisingly challenging and some high elevation areas that are dry in summer were too wet to walk through.)

I decided not to go on the first open day this year, mostly due to weather issues, instead postponing my visit for a couple of days. I did go, and it turned into one of my epic one-day-up-and-back trips. I was on the road shortly after 4:00 AM, went as far as Panum Crater (which I climbed) near Mono Lake, and didn’t get back home until well after midnight. In some ways, this isn’t the ideal time for photography — that can be more interesting later on when the meadows have turned green. Honestly, it is more about kicking off the new season. Late in the day, I headed back up from Lee Vining to cross Tioga Pass and stopped briefly to photograph this familiar lake just the pass, with its remarkable pattern of melting ice and the distance peaks of Kuna Crest still fully covered in snow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Conifer Bark

Conifer Bark
Close-up of conifer tree bark, Yosemite Valley

Conifer Bark. © Copyright 2018 G Dan Mitchell – all rights reserved.

Close-up of conifer tree bark, Yosemite Valley

I’ve spent a total of perhaps a bit more than a week-and-a-half in Yosemite so far this season, beginning back in late February when I spent an unusually cold and snowy week mostly in Yosemite Valley photographing various aspects of the winter landscape. (An artist-in-residency through the Yosemite Renaissance was an important reason for that visit.) I was back again this past week, mostly thinking that I would be experience the “spring” half of the annual winter to spring transition — but once again arriving to snowy conditions. Yet the signs of spring were everywhere, too. Annual plants are poking up, here and there one can find a few early wildflowers, the dogwoods are just starting to leaf out, and the waterfalls are running strongly.

We often think of the “landscape” as being the immense scale of things in the natural world. But the grand landscape is the sum of many small components, and landscape photography has long paid attention to them individually, too. In a place like Yosemite, with its iconic big features, you might have to remind yourself to go look for the small things. One one recent day with so-so midday light, I put on my camera pack, grabbed my tripod, and just wandered slowly off into the forest, stopping frequently to consider my surroundings. Near the farthest point on this walk, I left the trail and walked into the forest and, for no particular reason, came upon a tree that seemed not all that different from all of the surrounding trees until I looked a bit closer and saw these remarkable bark patterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes, First Light

Dunes, First Light
First light on Death Valley sand dunes

Dunes, First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on Death Valley sand dunes

No matter how many times I experience it — and I’ve experienced it a lot! — the instant when the first sunlight suffuses the landscape is always magical. Invariably, it sneaks up on me, even though I plan to be there for it and have probably calculated the precise time of the light’s arrival. Perhaps it is because I’m engaged in photographing the pre-sunrise light, a phenomenon that also is transitory. To this day, it still somehow surprises me when this light arrives in complete silence and stillness. Somehow it seems like there should be music or a rising wind… but it is just the light.

Sand dunes provide unending possibilities for photography, and they are a remarkable canvas on which the light can paint. In the middle of the day this sand would be a sort of bland off-white color. But for a few moments at the start and end of the day the sand takes on almost gaudy colors of sky and sunlight, and the soft shadows both emphasize the forms of the dunes and produce their own shapes and lines. Non-photographers probably wonder how we can force ourselves out of bed a couple hours before dawn and drive or hike long distances the pre-dawn darkness. We wonder how the rest of the world can sleep through it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Night

Alley, Night
Interior lights spill into an alley between two industrial buildings

Alley, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

Interior lights spill into an alley between two industrial buildings

As I photographed the night industrial landscape of Mare Island Naval Ship Yard once again this past week, I revisited familiar scenes and went looking for new ones. As I worked on into the evening I gradually worked my way across a chunk of the core of the place, eventually heading south from where I began my work. I had photographed the other side of the building to the right, which contained a large open interior space which had many windows to allow me to see in and to allow light to escape into the surrounding environment. When I came around this other side of the building and looked up the alley I was surprised by the complex pattern of light spilling into the alley between the two receding buildings. I had photographed here in the past when the building to the right was abandoned, and this alley had been a very dark place.

On this evening those of us who have photographed at Mare Island for a long time — some for several decades — were noticing and lamenting some of the changes that are coming to the place. It lay almost dormant for many years, but now many of the old buildings are being refitted for modern users. On one hand this changes the lonely and forlorn character of the island. On the other hand, it means that once the buildings are rehabilitated they will likely stand for a long time. But right now construction is going on everywhere, some interesting places now are off-limits, and fences have been erected around the construction work. That posed a problem for this photograph. In the past I could walk right up this alley, but now a portable cyclone fence cuts off access. I solved the problem by extending my tripod as high as it would go — well above my head! — and photographing over the top of the fence.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.