Tag Archives: pattern

Leaf Edge

Leaf Edge
The edge of a yellow leaf against blue shadowed background.

Leaf Edge. © Copyright 2022.G Dan Mitchell.

The edge of a yellow leaf against blue shadowed background.

Recently I have begun looking through my archives for photographs featuring the yellow and blue color scheme of Ukraine’s flag — you might think of it as an emerging “blue and yellow” series. I’ve also been on the lookout for new subjects that feature the colors of this flag, a new symbol of the fight against tyranny and against the brutal invasion of this country by Russia and its dictator.

I’ll mostly leave that as the primary text accompanying this photograph, with only a bit of reference to the subject of the image. Recently I was photographing a garden that is beginning to emerge from winter dormancy as spring approaches. Mainly we went there to view and photograph new flowers, but here and there I found evidence of winter and even of autumn, including a few leaves still bearing autumn colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning, Beneath Desert Mountains

Morning, Beneath Desert Mountains
Morning light comes to badland terrains beneath tall desert mountains.

Morning, Beneath Desert Mountains. © Copyright 2022.G Dan Mitchell.

Morning light comes to badlands terrain beneath tall desert mountains.

On the final morning of my late-January visit to Death Valley National Park I decided to visit a location that I rarely photograph. I suppose there were two reasons for my choice. It wasn’t that far from where I was camped, and I wanted to get back to camp by mid-morning to take things down in preparation for my departure. In addition, it is a location that, frankly, hasn’t attracted me all that much for photography. I had been there before several times and came away with little to show for it. (Despite this, one client did purchase a number of prints from this location some years ago.)

An offhand comment by a friend had suggested a different way to look that the place, and as I looked at it from a distance earlier in the week I saw some things that caught my attention. So I headed out there before dawn on this final morning and followed a trail out to the edge of some interesting badlands country. As I worked that subject the light was working its way down the face of the bare desert mountains to the northwest, so I turned my camera that direction as the play of light and shadow evolved.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Green Stems

Green Stems
Green stems of new bulbs crowd together.

Green Stems. © Copyright 2022.G Dan Mitchell.

Green stems of new bulbs crowd together.

Recently I read an article about painter Richard Diebenkorn, whose work I have admired for years. The reviewer was commenting on the relationship between the depiction of the “real” landscape and seeing the subject as something else entirely. He commented, more or less, that these paintings of real subjects aspire to abstraction. That’s an idea that I can relate to — and I know that I’m not the only photographer who thinks this way.

I made this photograph during a morning visit to a Bay Area garden, where we had gone to see the first “spring” blooms. (Technically, it was still late winter, but it sure felt like spring that day.) The flowers were beautiful and impressive. But my attention wanders, and I end up photographing a lot of other things, too. These stems caught my attention with their color and form, especially in softer light in the shade of some trees. So I crouched down (very!) low and photographed in such a way that the stems but not the flowers would be in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Creosote, Morning Light

Creosote, Morning Light
A cluster of creosote in sand dunes, backlit by morning sun.

Creosote, Morning Light. © Copyright 2022 G Dan Mitchell.

A cluster of creosote in sand dunes, backlit by morning sun.

As this morning’s light quickly evolved, I had just time to make one photograph of this subject from this camera position. I was photographing almost straight into the sun, which was just above the ridge that creates the shadow in the background. The plant’s mirror image of shadows caught my attention, and it sort of felt like the combination of the plant and its shadow exploded across this bit of dune landscape.

From a photographic perspective, this image is another example of a few semi-technical points I’ve made in some of my recent Death Valley posts. It was made quickly — not at all using the sort of sedate process that some might think of when considering landscape photography. This landscape of dunes and light evolves very quickly at this time of day, and to respond to it I often work quickly, moving rapidly from one subject to the next. It is also a photograph made with a long focal length lens. As I have mentioned, this lets me work a larger area in the dunes more quickly, and it also allows me to limit the scope of the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.