Tag Archives: people

Photographs: Pacific Northwest, Photographs: People, Photographs: Urban/Street

Beecher’s

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Beecher's
Seattle street scene

Beecher’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seattle street scene

I made this photograph on a recent visit of several days to the Seattle, Washington area. Much of this visit was not photographically oriented, but I did have a couple of days that I could devote to photography. Seattle has a particular character that I enjoy — to generalize, it is partly about the light and weather, partly about the nature of the city itself, and partly about the people. The light is softer and lower angled than what I’m used to in California. The “nature” of the city is a bit hard to explain — though it has both the woodsy quality of being built-in forest as another quality that is shared with San Francisco and its older buildings. There is something, again to generalize, about the people as well. Perhaps more beards and more informal and slightly outdoorsy clothing?

I made this photograph in the Pike Place area, and I just happened to notice the little tableau of people, buildings, and colorful bicycles and other elements as I walked by. If the photograph is about anything, that anything might include the contrasting square shapes of the building and the angled lines of the road and sidewalk, plus something about the positioning of the people. It is also about color, from the yellow line to the colorful elements sprinkled throughout the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Two Backpackers, Morning

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Two Backpackers, Morning
Backpackers along the shoreline of a Sierra Nevada backcountry lake in early morning

Two Backpackers, Morning. Hoover Wilderness Area, California. August 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Backpackers along the shoreline of a Sierra Nevada backcountry lake in early morning

We set up a very pleasant camp a ways back from the shoreline of this subalpine lake. Almost all high Sierra camps are pleasant, but this spot was almost luxurious. We were not far from easy access to water, there was a beautiful view from the shoreline, and the campsites themselves were on flat ground among large trees. We even had a few fallen trees and big rocks to use as furniture as we fixed meals and ate together.

In the morning I awoke before sunrise, and I soon got up the energy to climb out of my sleeping bag and put on warm clothes. I crawled out of the tent, grabbed camera equipment, and climbed up onto a knoll from which I had photographed the previous day. From here there was a panoramic view of the surrounding terrain, much of which was still in shadow. Soon a couple of fellow early risers appeared along the shoreline with fishing gear, standing on shoreline rocks and adding a human scale to this scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Calder and Lunch, A Juxtaposition

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Calder and Lunch, A Juxtaposition
A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

Calder and Lunch, A Juxtaposition. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

During an early July visit to New York City we found time to wander over to the new Whitney Museum to view several exhibits, including a special exhibit of Alexander Calder’s mobile and similar pieces. Not only did it include a large number of his pieces, all assembled in one room, but the museum arranged to put many of the pieces in motion, as they were intended to be experienced. Some of the mobiles depend upon shifting air currents, but several of the other pieces are actually motorized. The exhibit was fascinating in many ways — the setting-in-motion was part of it, but also the presentation of so many of these pieces one space was unusual.

Something else was unusual about the exhibit, and I found it a bit jarring. The Calder exhibit was in a large space on the top gallery floor. Many of the Calder pieces are enhanced by lighting that reveals the changing shapes of their shadows as they move, and monochromatic background walls help isolate the objects so that their forms are more clearly visible. But one wall turned out to hold a huge opening to an adjacent eating area, with bustling waiters, loudly conversing guests, the clanking of dishes and silver way, and big windows open to the brilliant glare of Manhattan. The juxtaposition was so odd and jarring that I just had to make a photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: New York City

Sunday In The Park

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Sunday In The Park
Visitors to Manhattan’s Central Park on a sunny summer afternoon

Sunday In The Park. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Visitors to Manhattan’s Central Park on a sunny summer afternoon

I love the natural landscape, especially my familiar “friends” of the Sierra Nevada, the California coast, the redwoods, the western deserts, and others that are close enough to me that I regard them as part of my greater neighborhood. But I also love cities. The differences between the two worlds are obvious — loud and fast versus quiet and still, lots of crowds versus solitude, a constructed world versus a natural one. But they are not, perhaps, as entirely separate as we might think. When we visit either of these worlds we invariably bring at least some of the world we left behind. (Sometime when I feel like writing a lot more about the topic, I may share some ideas I have about the dangers of regarding the natural and human worlds as being altogether separate and distinct.)

In any case, we were again in New York earlier this summer, partly for the city itself and partly (mostly?) to visit family. We ended up in Central Park more than once, and on the last visit I think we sort of got to experience the park a bit as the “locals” do, when we put together a picnic with our “kids” and staked out a spot in Sheep Meadow to join the New Yorkers on the Fourth of July. Perhaps because that which seems natural is here so overwhelmed by that which seems constructed, it seems like at least some New Yorkers may almost feel more strongly about their local “natural spaces” than folks do in less urbanized environments. This photograph was made on an earlier walk through the park, when we traveled along paths that took us past this small but very popular lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.