People stroll past a restaurant along a narrow street of Altstadt-Heidelberg
Here is another photograph from our 2013 visit to Heidelberg, Germany. (And London, and Bavaria, and Salzburg. Can we go back, now?) We stayed within walking distance of the altstadt section of Heidelberg, the old town area along the Neckar River and near the castle, and we walked over by way of the Philosophen Weg many times, hiking up and over a small hill between where we stayed and this popular area.
Being in the old town, it is no surprise that the streets are very narrow here. In most of this section of the town there are no cars, and people walk everywhere — except for the many folks on bicycles — and restaurants spill out onto the streets.
A Salzburg, Austria street scene including a woman with an umbrella
This is one of those photographs that you could see in any number of ways, I think. It is a narrow street in Salzburg, Austria, not far from the main square and the Salzburg Cathedral and perhaps right in front of the building that is described as the birthplace of Mozart. (Somehow the juxtaposition of a shopping district with that place seems just a bit jarring.) You could regard it as an almost random scene from this street, though I think there is a bit more going on.
One of the things I like about street photography is working quickly and spontaneously, reacting quickly to people, events, and juxtapositions that may last only for a brief moment. If I recall correctly, I perhaps began simply by thinking “there is a shot here somewhere, with all these people on this narrow street.” Then things began to coalesce a bit when I noticed the bright backlight streaming almost directly down the street and stretching long shadows toward me. Then I saw the woman with the dark umbrella — and who can resist a photograph of umbrellas!? As she walked past I quickly made a brief series of photographs, trying to instantly place her and her shadow in some kind of compositional relationship with people and objects in the scene. From this series, this one has her standing slightly apart from others and with her shadow stretching toward the lower part of the frame, and a similar shadow from another woman almost parallels it. The people at front right were in shadow (yes, some work in post makes them more visible) but I felt like they provided some balance to the brightness on the left side of the frame and, to me at least, there is something a bit odd and interesting about their intense gaze at something behind me. Looking closer at the people in the scene — closer than I could consciously look when I pressed the shutter release — I find the dark figure on the right margin interesting, and as the people stretch into the distance several of them seem to have stories to tell, too.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Pedestrians along a walkway leading toward Saint Paul’s Cathedral, London
St. Paul’s Cathedral is an obvious landmark at any time, but at night it is even more so, especially if you approach it from across the River Thames by way of the Millennium Bridge. We visited the bank opposite the cathedral on several evenings, so I can no longer remember precisely what we had been there for on this evening — The Old Globe Theater, meeting up with relatives for dinner, a visit to the Tate Modern? I’m not certain.
In any case, we ended up crossing the river in this direction after dark on a warm summer evening when many people were out strolling around. This was one of the first times when I realized that my little mirrorless camera was good enough in low light that I could actually do handheld night photography.
In England on the Fourth of July (a bit ironic for an American, no?) we were out along the banks of the River Thames as the summer evening came on. We had wonderful weather during this visit — if anything it was too warm. A low deck of broken clouds covered the sky, but to the west the sky was clearer and the light streamed through the hazy air.
I think this photograph is probably more about the light than anything else. For some reason, when I found the image in my archive and began to work on it I barely thought about the subject at all — the light seemed to be enough. When I did look at it more closely I realized that the content of the image is really fairly ordinary — a dock in the foreground, a bit of the river bank. a tall building on the right and urban buildings across the river on the left, a bridge (a central subject in my view), the clouds, and the warm color of the evening light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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