Pedestrians along a walkway leading toward Saint Paul’s Cathedral, London
St. Paul’s Cathedral is an obvious landmark at any time, but at night it is even more so, especially if you approach it from across the River Thames by way of the Millennium Bridge. We visited the bank opposite the cathedral on several evenings, so I can no longer remember precisely what we had been there for on this evening — The Old Globe Theater, meeting up with relatives for dinner, a visit to the Tate Modern? I’m not certain.
In any case, we ended up crossing the river in this direction after dark on a warm summer evening when many people were out strolling around. This was one of the first times when I realized that my little mirrorless camera was good enough in low light that I could actually do handheld night photography.
In England on the Fourth of July (a bit ironic for an American, no?) we were out along the banks of the River Thames as the summer evening came on. We had wonderful weather during this visit — if anything it was too warm. A low deck of broken clouds covered the sky, but to the west the sky was clearer and the light streamed through the hazy air.
I think this photograph is probably more about the light than anything else. For some reason, when I found the image in my archive and began to work on it I barely thought about the subject at all — the light seemed to be enough. When I did look at it more closely I realized that the content of the image is really fairly ordinary — a dock in the foreground, a bit of the river bank. a tall building on the right and urban buildings across the river on the left, a bridge (a central subject in my view), the clouds, and the warm color of the evening light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A ramp at the end of the Millennium Bridge, London
The Millennium Bridge is a new and popular footbridge across the River Thames, between the area of St. Paul’s Cathedral and the Tate Modern Museum. We passed over it more than once, including on this evening when, if I remember correctly, we managed to squeeze a short visit to the Tate before doing other things.
I think this photograph indulges my obsession with shape and form. There is a kind of symmetry to the scene, but things are quite complicated and there is perhaps a lot more in the scene than a quick glance would suggest. At this end of the bridge it divide into two branches as it descends toward the land, and then the two branches reconvene for the short section in the center of the photograph, where there are several people (including a woman who appears to veer off course, distracted by her phone) and a photo-bombing pigeon. Almost symmetrically placed, there are individuals on either side on the two branches of the bridge. Beyond the bridge leads toward St. Paul’s and the short arches suspending the bridge appear to either side. There are other little oddities in the scene including reflections in the material on either side of the walkways.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of hikers is dwarfed by arid badlands terrain near Zabriskie Point, Death Valley National Park
In the midst of all the recent Death Valley photographs, with this photograph I reached back into the archives to pull up an older image that had not previously made it out of the collection of raw files. Various things impel me to dig back into the older photographs to see what I’ve missed, and in this case it was a random visit to my website that I noted in my server log — someone had linked in to a photograph of some photographers in Death Valley from this 2007 trip. When I saw that I thought to go back and look at that particular photograph and update it just a bit, and then I got side-tracked and wandered off into that raw file collection.
I recall this photograph rather clearly. For some reason I had stopped at Zabriskie point on a morning that I probably expected to produce an exceptional sunrise — at least that’s my guess based on the kind of clouds in the photograph. If I recall correctly, the morning did produce some interesting soft light, but not the stunner that I thought might happen. (I rarely stop at Zabriskie, but I make an exception if the conditions look like they might produce something unexpected — but you never know until you actually go there before dawn and see what happens.) I remember looking down toward Gower Gulch and the trail to Golden Canyon and spotting this string of five hikers. It isn’t that unusual to see people on this trail, but they stuck close together as the wound along its twisting route, and I thought that this might produce some interesting photographs and reveal the scale of this landscape.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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