Tag Archives: photographer

Jim M Goldstein’s Gigantic “Best Photos of 2010” Meta-List

For the past few years photographer and blogger Jim M. Goldstein has been collecting and sharing an annual list of online photographers’ “best of the year” posts. (More and more of us make this an annual event around the time of the New Year – I posted my 2010 Favorites list a couple weeks ago.)

Today, after what must have been a very complex organizational task, Jim posted his Best Photos of 2010 list. It now includes the work of over 160 photographers – yes, I’m in the list – and if you take the time to follow his links you’ll find a wide range of photography including some stunning and compelling work. If you have some free time (or your boss isn’t looking… :-), wander on over to his link and enjoy!

G Dan Mitchell Photography
FlickrTwitter (follow me) | Facebook (“Like” my page) | LinkedInEmail

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


 

A Difficult Question, and Thinking About Feedback

There is a lot to say about the subject of feedback – what constitutes useful feedback, when it is and is not appropriate to offer it, when to be “direct” and when to be diplomatic, how to offer it, and so forth. I’m thinking about this today – though I think about it often – after a thought-provoking experience I had yesterday.

Yesterday I visited Charles Cramer’s beautiful solo show at the Center for Photographic Art in Carmel – for the third time! I made a point of dropping in one more time because a) this was the final day of the show, b) I’m a huge fan of Charlie’s work, c) I knew that he would be there in the afternoon, and d) it gave me a perfect excuse to photograph on the Monterey Peninsula yesterday before and after visiting the show!

Charlie asked several of us two questions – one merely difficult and the other very difficult. The former, merely difficult question was, more or less, “Which are your favorites?” This wasn’t too difficult, since there are some very specific photographs in this show that “speak” to me very powerfully. In fact, I basically responded to this question by pointing those out and trying (with varying levels of success) to say something about what makes those photographs “work” for me. But there are so many that work in so many different ways that I could really do the question justice. Some work “as photographs” alone, there are others that I probably see differently because of my affinity for the subjects, some require some time to understand, and so forth.

But the second question was the really tough one: “Which photograph(s) would you leave out of the exhibit?” Really? You are asking me, Charlie? :-)

But then I thought about this a bit more and decided to attempt an answer. I’m not going to write about which photographs I would leave out – frankly I would add more of his photographs rather than removing any – since my selections are not the point. But I do want to think out loud a bit more about the question and the value of asking it and trying to answer. Continue reading A Difficult Question, and Thinking About Feedback

Charlie Cramer at the Center for Photographic Art

It is a rare and special thing to be able to view large collection of a wonderful photographer’s best work. We visited Charlie Cramer’s show at the Center for Photographic Arts again yesterday while visiting Carmel. If you can get to Carmel to see the show, I don’t think you will be disappointed! The show is in it’s last week, so go now…

Photographer, Sabrina Basin

Photographer, Sabrina Basin" — A photographer working the autumn colors from a ridge in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.
“Photographer, Sabrina Basin” — A photographer working the autumn colors from a ridge in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.

I wandered out onto this ridge above Sabrina Basin, a spot that I know for its unobstructed view of the valley and the peaks of the Sierra crest above Sabrina Lake, far up the canyon. I had my eyes on some rocky benches that run along the top of the ridge As I approached I saw that I wasn’t the only photographer with this idea. As I crossed the rocks toward the overlook, he was working my intended camera position, so I decided to sit back and let him finish. (The ridge wasn’t wide enough for both of us to work together there.)

As I waited, I thought there was something interesting about his position above the valley, his concentration on shooting, his all-blue outfit (shirt and jeans, on a cold and rainy day!), and that wide brimmed hat. So I decided to make a few photographs of him. We barely talked at all. I hoped to get his name, but that didn’t happen. The best I was able to do was give him a card, and offer him a copy of the photo if he contacted me. Never heard from him…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.