Tag Archives: plant

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mallow Blossoms

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Desert Mallow Blossoms
Orange desert mallow blossoms, Death Valley National Park

Desert Mallow Blossoms. © Copyright 2019 G Dan Mitchell – all rights reserved.

Orange desert mallow blossoms, Death Valley National Park.

These orange desert mallows are among my favorite desert flowers. It seems to me that they are often somewhat unobtrusive, but the will suddenly burst forth with a bush-full of bright orange color. The blooms are lovely, and they remind me a bit of small California golden poppies.

Although I sometimes don’t recall exactly where I photographed such things, my recollection in this case is that I photographed them in a quiet desert canyon starting at the top of a large alluvial fan, where we had gone to eat lunch the first day we arrived in Death Valley on our early April visit. After hours of driving (actually a couple of days of traveling!) it was good to stop and sit in a quiet place. As we ate we looked around the canyon a bit and started to pick out likely photographic subjects, though there was no hurry to get to work. Eventually we wandered over toward the edge of the canyon where some interesting-looking plants were growing, among them a mallow bush.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Creosote, Sunrise Light

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Sunrise light shines on blossoming creosote bushes among undulating sand dunes

Dunes, Creosote, Sunrise Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunrise light shines on blossoming creosote bushes among undulating sand dunes.

Yes, this is yet another photograph of dunes in early morning light. I admit it, I cannot resist. (We probably spent more time than usual in the dunes on this trip because recent heavy rains had closed off access to a number of the non-dune locations I would have liked to visit.)

I made this photograph a few minutes later than some of the others I have shared. The strikingly warm light of dawn was already transitioning towards the more neutral daytime colors, but the sun was still low enough to send its light across the ridges of dunes and leave the valleys between them in the softer, shaded light. This small group of creosote bushes caught in the light was beginning to blossom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature

Desert Indian Paintbrush

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Desert Indian Paintbrush
Indian paintbrush flowers in a canyon at Death Valley National Park

Desert Indian Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

Indian paintbrush flowers in a canyon at Death Valley National Park.

This impressive — and very red! — flower and its neighbors were photographed in Death Valley National Park in early April, as this year’s spring bloom seemed to be getting underway in earnest. Predicting desert wildflower bloom timing is a tricky thing. This year a lot of folks were saying that there wouldn’t be that much of a bloom since the early season had been rather dry. However, very heavy rains swept through Southern California, including Death Valley, in early 2019. An atmospheric river situation developed near the start of March and there was enough rain to flood washes, fill desert playas, and damage many roads. I had an idea that there might be a good bloom this year, but that it might be a bit later than usual. Judging what I saw on my two visits — one in early March and other at the start of April — that is what happened, and a lot of flowers were emerging near the end of that second visit.

I’m going to use the second part of this post to share a little technical consideration to be aware of when photographing intensely colorful subjects, especially those that are yellow, orange, red, purple, or similar colors. It has to do with exposure. Most digital cameras meter the overall light, but they assume that the colors will be roughly balanced. In scenes with extremely intense colors — like those seen on the paintbrush flowers — the camera’s metering system can over-expose a color channel, often the red channel, even when it seems like the exposure is right. Often the safest thing to do when photographing such a subject (flowers, brilliant sunsets, autumn leaves) is to under-expose by about 1/3 to 2/3 stops so that you’ll retain some highlight detail in the intensely colorful subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light, Dunes and Creosote

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First Light, Dunes and Creosote
Blossoming spring creosote plants among the sand dunes at first light.

First Light, Dunes and Creosote. © Copyright 2019 G Dan Mitchell – all rights reserved.

Blossoming spring creosote plants among the sand dunes at first light.

I love early morning in the sand dunes. When photographing there I typically arrive well before sunrise, when there is just a hint of light in the sky. In Death Valley this is mostly a very quiet time of the day, often with few other visitors, when the winds have died down yet the temperatures are still comfortable. The ideal morning is preceded by a windy afternoon the day before and into the evening, which may wipe away many of the footprints from the previous day’s visitors. However, walking into the dunes I always find new “footprints” — of mice and reptiles and other desert residents.

The transition of morning dusk light to full sunlight always amazes me, even after experiencing it many times. At first things move slowly though inexorably as the overall sky begins to gradually lighten. Well before actual sunrise there is quite a bit of light, but it is soft and gentle light, generally with a blue tint from the pre-sunrise sky. (I made this photograph at just about this point.) Then the pace accelerates as the first direct sunlight strikes some high point, generally to my west, and the light begins to transition to the saturated reddish colors of sunrise and work its way to lower elevations. By this time I’m engaged in photographing and usually working fast as the light changes very quickly. As the sun rises above the horizon or a mountain ridge a brief moment of soft, direct light begins, but the light quickly becomes intense and the difference between shadow and highlights becomes very large. Before long the coloration of this intense light diminishes and conditions move toward “just plain daylight.” I photograph a bit longer… and then it is time for a break!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.