Tag Archives: print

Marina City

Marina City
Marina City

Marina City. Chicago, Illinois. August 2, 2014 © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of Chicago’s Marina City Building

In a city of architecture that attracts attention, both from its form and on account of its visibility, the Marina City buildings stand out. The are cylindrical forms standing in a group and housing a variety of things from offices to apartment and even a parking garage. I like to think of the architecture as being a sort of Early Jetsons style. ;-)

It is not surprise that I had noticed them on earlier Chicago visits, and I had regarded them as sort of landmarks from which I could orient myself in this part of downtown. This time I got to take a closer look at several points, including during our boat trip past architectural features along the Chicago River. By the way, they don’t really tilt like this…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mt. Conness, Dusk

Mt. Conness, Dusk
Mt. Conness, Dusk

Mt. Conness, Dusk. Yosemite National Park, California. September 9, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across Mt. Conness and northern Yosemite wilderness

This ridge holds an astonishing range of photographic subjects, ranging from the smallest (tiny trees growing through cracks in the rock) through the intimate landscapes of trees and boulders and culminating in some grand vistas of distant ridges and peaks.  For several days, even though there were other nearby subjects calling out to me, I returned repeatedly to this area, whose size cannot be more than a few acres.

I climbed up to photograph on this ridge one final time on our last night at this location. At first I went back to take care of some unfinished business — photographing subjects that I had seen but not shot on previous evenings, looking for a few in evening light that I had noticed at other times of the day, and working to perfect and distill images of certain subjects that I had photographed earlier. I finished most of that work as the sun set and the light began to go, and I started back across the ridge toward camp.  As I crossed the ridge I caught a view of distant Mount Conness — named after the senator whose bill created Yosemite as a national park in the 1800s — in the glow of post-sunset dusk light that was still illuminating the foreground forest and granite.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree, Canyon, Wildfire Haze

Tree, Canyon, Wildfire Haze
Tree, Canyon, Wildfire Haze

Tree, Canyon, Wildfire Haze. Yosemite National Park, California. September 7, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

Smoke from the 2014 Meadow fire colors late afternoon light on a tree and granite canyon in the Yosemite backcountry.

After a number of days spent photographing at a higher elevation location, our group descended into one of the great river canyons of the Yosemite backcountry, where we made camp for the final days of our 10-day photographic trip. This change gave us the opportunity to shoot a number of subjects that were quite different from those that we concentrated on at the earlier location, and it also let us revisit some locations and subjects that we had all photographed in the past. While some might wonder at the notion of revisiting a place when so many new places remain unexplored, there is something special about returning to a place and learning its patterns more deeply.

On this afternoon I ascended a nearby granite ridge, from which there is a wonderful view down this river canyon as it descends toward California’s Central Valley. As is typical at this time of year in the Sierra — though a bit more prevalent than usual in this drought year — the haze, smell, and coloration of wildfire smoke was in the air. In this photograph, the smoke and the late hour produced an unusual coloration in this scene as I shot through the trunk and branches of a large tree on the ridge.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Glacial Erratics, Cathedral Range

Glacial Erratics, Cathedral Range
Glacial Erratics, Cathedral Range

Glacial Erratics, Cathedral Range. Yosemite National Park, California. September 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Sunset light on glacial erratics, domes, and the Cathedral Range

The first time I ascended this system of granite slabs to its high point was in the morning, and my goal was to shoot the opposite direction from the scene shown here, so that I could capture the backlight on trees ascending from the ridge toward a higher valley to the east. While up here it became apparent that this spot had potential beyond just that of trees in morning light, and I made several more visits during out stay here.

On this evening I thought I would find out what late-day light possibilities might exist. My initial idea was to arrive soon enough to shoot down the slabs into an open forest of lodgepole pines that seemed like it might catch evening backlight in interesting ways. I arrived at a spot from which I thought such a shot was possible, but it seemed a bit too early for ideal light, and I continued on up the granite rib to a higher point. The atmosphere and light were a bit tricky. At this time of year it is very common to see a bit of wildfire smoke in the air, and that was the case on this evening. In addition, there were some high clouds far to the west and seemed likely to mute the last light. In fact, just as I initially set up this shot the light quickly faded, as if someone had turned down the dimmer switch on a lighting system! At first I was disappointed, but when I looked to the west to see the clouds that blocked the light I could see that there was a gap below the clouds through which the sun would likely shine once more before sunset. So I waited. Perhaps five or ten minutes later the light began to change silently (somehow it always seems a bit odd that only the light changes at those moments) and I managed to shoot through the transition from dark to full light and make one exposure when the light had come back on both the near features and the distant ridge.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.