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Photographs: Nature, Photographs: Northern California

Tomales Bay Hills, Morning

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Tomales Bay Hills, Morning
Tomales Bay Hills, Morning

Tomales Bay Hills, Morning. Inverness, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on clearing fog and mist in the hills above Tomales Bay, California

I had headed up towards Point Reyes National Seashore, which is not at all far from Inverness, very early on the cold February morning. I allowed myself to be distracted by other sights on the drive up, and so I did not make my planned arrival on Drakes Bay for sunrise. The sun came up as I drove along the shores of quiet Tomales Bay. Since that’s where I was and the light was interesting, I gave up my early morning plans for shooting along the beach inside the park and instead stopped here to photograph instead. When I got out of my car, I was surprised by how cold it was. It isn’t unusual to have sub-freezing morning temperatures in parts of the Bay Area this time of year, but it is unusual when that happens right along the ocean shoreline.

This photograph might serve as proof of my eligibility for membership in the “Shooting Straight Into the Light” school of photography. (No one who has seen a few of my photographs will be surprised by that, I expect! I’m a big fan of back light and bright light shining through things.) From my shooting position along the shore of the bay I had quite a range of different sorts of light. Looking to my left (north) toward the mouth of the bay, shoreline buildings, piers, and moored boats were well-lit by morning light coming from my right. But looking back up the bay the sun was rising above the Marin hills right in front of me as bits of fog floated in a few valleys and on the tidelands of the bay. It was very, very bright and this light almost completely washed out all of the colors that were so visible when looking in other directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fisherman, Ellery Lake, Sierra Crest

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Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Devils Cornfield, Morning

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Devils Cornfield, Morning
Devils Cornfield, Morning

Devils Cornfield, Morning. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on Devils Cornfield and receding ridges, Death Valley National Park

I’m a fan of shooting in the very early morning – what photographer isn’t? – and of shooting directly into the brilliant light of the rising sun, especially when that light shines through an atmosphere containing haze or dust. These conditions appeal to me in a variety of ways. The inclusion of this haze emphasizes the effect of atmospheric recession, and sometimes the most distant elements of the scene can fade to near invisibility as the atmosphere lowers the color saturation and contrast of the scene. Shadows, especially if bit of detail can be retained, can produce dramatic contrasts, and light glancing across the edges of features such as plants can be intensely colorful.

This photograph includes features of a scene that is easily accessible but perhaps one that people don’t often spend much time considering, especially at this time of day. Most photographs of the area that I see are made in fairly normal daytime light or perhaps in the warm and clear light of the evening golden hour. Here I found a slightly elevated camera position and aimed across the tops of clumps of grasses, a small nearby hill, and a succession of higher and more distant ridges leading away toward the mountains along the east side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Pre-Dawn Haze

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Desert Mountains, Pre-Dawn Haze
Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountain ridges in pre-dawn “blue hour” light rise above Death Valley and recede to highest peaks in the distance

On this April 2013 visit to Death Valley I encountered some very challenging light situations. What you hope for on an early morning like this is beautiful, colorful dawn light, perhaps preceded by a warm pre-dawn glow and followed by bright morning light. But when it came to beautiful early morning light – and evening light, too – I got precious little of it this time. On two mornings a thin overcast and atmospheric haze pretty much killed the dawn light. On one other morning I got some light, but still had to deal with the haze. The clouds were with me on a couple of the evenings, too. I have sort of learned to pretty much go with this flow and accept that difficult light as the balance in the universe that gave me, and will give me again, astonishingly beautiful light.

However, even in such light I try to see what I can find to shoot, and sometimes it provokes me to see things that I might otherwise have overlooked completely. On this morning I was up well before dawn and I headed off to a specific location that I had scouted earlier. I had two possible sorts of photographs in mind for this spot. One involved the view back down and across the main valley, and the other was planned around the arrival of first light on these rugged and stratified hills along the west side of the valley. I got to my spot, was relieved to find that the air was fairly still, and I settled in to wait for the dawn… which never quite came. It was so murky and the light was blocked by so many clouds to the east that I wasn’t even really quite certain when dawn occurred. Things got lighter… but remained hazy. I made this photograph at a moment when, on a clearer morning, these hills might have begun to assume a warm colored glow from light in the eastern sky. But this time it was all blue. The hazy sky was blue, and the mountains were as well. Since the conditions were somewhat unusual, I went ahead and made some exposures. When I first looked at the results I wasn’t very thrilled. But as I looked at them more, especially at very large sizes, I began to appreciate the softer and lower-contrast lighting and the way that details in the formations of the mountains actually become quite visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.