Tag Archives: red

Photographs: Mono Lake Basin

Sunset Clouds, Mono Craters

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Sunset Clouds, Mono Craters
“Sunset Clouds, Mono Craters” — The last sunset light on clouds above Mono Craters.

This ridge is comprised of the Mono Craters, a string of volcanic cones running roughly south from Mono Lake east of the Sierra Nevada. We don’t typically think of the Sierra as a volcanic range, but there are quite a few examples of volcanism to be seen once you get to know the area. If you head over the Sierra to Lee Vining and then turn south you will see a lot of evidence of this. You begin with the islands in Mono Lake, then. see another cinder cone just south of the lake. The Mono Craters rise just south of highway 120 as it heads out into the lonely basin and range country. Continuing south you pass several impressive cones and lava flows on your way to Mammoth Lakes, where Mammoth Peak rises — yes, another volcanic feature. From there, if you hike south you can see the string continue.

I was here at the end of September on a sort of “getting reacquainted with the Sierra” trip after returning from ten weeks of overseas travel. That travel was wonderful, but it was great to be back ”home” in California’s mountains. On this evening I was photographing an absolutely wild sunset over Mono Lake, and as a sort of side-show I saw this lovely light over the craters as the last light illuminated clouds and remnants of falling rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Piaggio Ape Art Car

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Piaggio Ape Art Car
“Piaggio Ape Art Car” — A highly decorated PIaggio Ape vehicle in Orvieto, Italy.

I have been looking forward to posting this photograph, the final in the Current series featuring these Piaggio Ape three-wheeled vehicles that I photographed in Italy. In the other cases the vehicles were also small “pickup trucks,” but they looked rather utilitarian. For all I know, this one may serve such a purpose, too. But it sure goes way beyond that with its visual appearance.

It was parked along a street in Orvieto when I photographed it. There was no one around who could give me a hint about what its purpose is or what it might mean. But it was quite a sight. The basic paint job is decidedly non standard, but the owners have gone well beyond that simple modification, as you can probably see.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rock Abstraction

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Rock Abstraction
“Rock Abstraction” — An imaginary landscape of rock, Point Lobos coastline.

I feel that there is always a tension in landscape photography between showing things as they literally are, showing them as we might wish they were, and using them as departure points for more imaginative explorations of what they suggest to us. This photograph falls squarely into the latter category. As I looked at the remarkable patterns in these shoreline rocks, I thought about how I have seen similar patterns in paintings. So I decided to push reality a bit and head in the direction that those works suggested.

Once again, this photograph illustrates how I/we can find new things in old places. I made the photograph at a coastal spot that I have photographed since I was a young kid with a cheap black and white camera, imagining himself following in the footsteps of Adams and Weston — who also photographed exactly here. Decades later I still return and ind new things and new ways to see them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Sierra Nevada

Winter Sunrise, Central Valley

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Winter Sunrise, Central Valley
“Winter Sunrise, Central Valley” — Winter sun rises beyond the Sierra Nevada as thin fog drifts among trees.

This photograph is one of the final remaining photographs from this past winter in California’s Central Valley. (Who am I kidding? There are probably more that I’ll uncover when I eventually revisit the archive.) I made it on my final visit of the season to photograph migratory birds. This photograph is the result of an unfortunate situation that ultimately turned out OK. I arrived before dawn to find that the gate was locked. As I listened to thousands of birds begin their fly-out beyond that gate, I decided that it made more sense to head off to find other opportunities, and I found this sunrise view a few miles away.

These Central Valley locations fascinate me for a variety of reasons — the migratory birds, the fog, the long views of the Sierra Nevada (as in this photo), the open vistas. Years ago I would never have imagined that such agricultural areas could provide so many photographic opportunities, but then I “discovered” the winter birds. I was hooked, and I’ve gone back every year since then.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.