Tag Archives: reflection

Spring Dogwood, Water

Spring Dogwood, Water
Branches of spring dogwood trees, against a backdrop of the Merced River

Spring Dogwood, Water. © Copyright 2018 G Dan Mitchell – all rights reserved.

Branches of spring dogwood trees, against a backdrop of the Merced River

Dogwood trees are a spring phenomenon everywhere, but they are a special attraction in the low and middle elevations of the Sierra Nevada every spring. Near the end of April these trees leaf out with flower-like “bracts” soon appearing, and their white or near-white color stands out against the green foliage, especially in low light and shadows.

As so many Yosemite photographers do — it is nearly impossible to resist! — I photographed these branches, leaves, and flowers against the backdrop of the Merced River, its spring flow reflecting the colors of the sunlight on nearby cliffs. I made the photograph at the very beginning of dogwood season, in late April, and a month later I was still able to find trees full of the white flowers in other locations within the park.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Spring Ice, Snowy Mountains

Spring Ice, Snowy Mountains
A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

Spring Ice, Snowy Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

For many of us the annual re-opening of Tioga Pass Road through the Yosemite high country marks the beginning of the “summer” season, even though it often takes place in late spring. (And, “the season” typically extends into autumn, too.) Whenever I can, I try to be there on the day the road opens. For those familiar with the route from more typical summer visits, the conditions can be a real surprise, especially in years of heavy snowfall and late melts. In the big years there is water everywhere — waterfalls flowing, creeks and rivers are filled to (and beyond) their banks, meadows are flooded, and sometimes the creeks flow right across the roadway. Conditions beyond the road can be quite difficult, approaching impossible at times. (I recall one very early season hike to Parker Pass, when creek crossings were surprisingly challenging and some high elevation areas that are dry in summer were too wet to walk through.)

I decided not to go on the first open day this year, mostly due to weather issues, instead postponing my visit for a couple of days. I did go, and it turned into one of my epic one-day-up-and-back trips. I was on the road shortly after 4:00 AM, went as far as Panum Crater (which I climbed) near Mono Lake, and didn’t get back home until well after midnight. In some ways, this isn’t the ideal time for photography — that can be more interesting later on when the meadows have turned green. Honestly, it is more about kicking off the new season. Late in the day, I headed back up from Lee Vining to cross Tioga Pass and stopped briefly to photograph this familiar lake just the pass, with its remarkable pattern of melting ice and the distance peaks of Kuna Crest still fully covered in snow.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Avocet, Sunset Reflection

Avocet, Sunset Reflection
An avocet feeds in shallow water reflecting sunset light

Avocet, Sunset Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

An avocet feeds in shallow water reflecting sunset light

I remember, many years ago, taking a college class that included a section on birds in the San Francisco Bay Area. The birding gene didn’t initially take for me — that came many years later — but I remember what must have been a very effective presentation on differences among shore birds. The birds found along the edges of bodies of water vary greatly in size and shape, from very small to quite large, and their leg and bill sizes vary, too. What I recall is the obvious point, that I hadn’t thought of before, that each bird, with its long or short legs and its long or short bill, is adapted to a different niche in this environment, and even to differing depths of water.

The avocet is a striking bird in many ways. This one, like most that I’ve seen, was an almost solitary specimen. If another was nearby I did not see it. The bird has long legs, which it puts to use by wading in a few inches of water as it feeds. The long, curved beak allows it to reach down and pluck edibles out of the water. This one was feeding close to the shoreline and moving toward water that reflects the sunset sky, so I held still and waited for it to move into just the right position, where the colors of reflected sky were most strongly reflected in the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Great Egret, Reflection

Great Egret, Reflection
A great egret and its reflection in a wetland pond

Great Egret, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A great egret and its reflection in a wetland pond

While I don’t know the full extent of their (likely huge) range, these birds are ubiquitous in California. I remember when I first noticed them, many years ago when I was a dedicated cyclist. In those days I commuted to work by bicycle, covering between 30 and 55 miles a day, and portions of my ride always passed creeks and drainage canals. You might miss them speeding past in a car, but on a bicycle I frequently looked into these waterways and spotted these impressively large and nearly pure white birds. As time went on I found them all over the place — they can be found in many agricultural areas, for example, and I have photographed them feeding in kelp beds along the Pacific Ocean shoreline.

In flight they alternate between ungainliness and beauty. They can seem a bit gangly and awkward at times — their take-off can be somewhat awkward, for example. On the other hand they flare their wings beautifully upon landing. I don’t usually go out specifically to photograph the egrets, but sometimes it seems unavoidable since they turn up in so many places. They seem to have somewhat clearly defined boundaries when it comes to human presence. They more or less ignore us until we get too close (though this boundary changes depending upon whether they are feeding or not), but get a bit too close and you can see them “tighten up” and prepare for a sudden take-off, at which point you most often have only the opportunity to photograph them from the back as they depart. This bird had been hunting and seemed a bit more willing than most to let me photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.