Tag Archives: refuge

Geese Above, Cranes Below

Geese Above, Cranes Below
Late winter flocks of Ross’ and other geese and lesser sandhill cranes in the San Joaquin Valley

Geese Above, Cranes Below. Central Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Late winter flocks of Ross’ and other geese and lesser sandhill cranes in the San Joaquin Valley

Although it isn’t quite over yet, as the first day of spring approaches I have been thinking back over this winter season and especially the experiences of again photographing Central Valley migratory birds. There is far too much write about all of it in a single post, so I’ll just share a bit about the transitions and process of the season, at least as I observed it.

In the early fall I begin to look forward to this season of birds and fog and winter light, though the anticipation is tempered a bit by early season opportunities to photograph other subjects, especially the fall colors of the Sierra and elsewhere. But sometime in late October I start to think a lot about the great annual migration, and I start to watch for signs that it is beginning. This past year I think it was probably late November or early December when I made my first trip, and I recall enjoying the landscape once again but being disappointed that the birds hadn’t really shown up yet. After four years of drought I wondered if the bird population had been damaged. Then a bit later in September I began to see a few more geese, but they were not very plentiful and they were not always where I hoped to find them. It wasn’t until January that they began to be a bit more common, but soon the numbers increased and by February I was seeing absolutely huge numbers. By the time I made this photograph in late February I was frequently seeing tens of thousands of geese, along with many hundreds of perhaps thousands of cranes — which is exactly what we see in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow Goose

Snow Goose
A solitary snow goose in flight against winter blue sky

Snow Goose. Central Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A solitary snow goose in flight against winter blue sky

There are two common types of white geese in California, the Ross’s goose and the snow goose. Although one or the other may be more predominant in a give location, they often are found together and it can be a bit tricky to tell them apart at first. Size is one hint — the snow goose is a bit larger, and after a while this seemingly subtle difference becomes more obvious. The two birds also have differently shaped bills that are different sizes. Also on the bill is another hint — the snow goose bill has a characteristic “grin” pattern on its sides. A friend tells me that he can identify the difference by sound, too, though I can’t do that consistently at this point.

When first visiting the Central Valley bird locations, the sight of sometimes-huge flocks of white geese makes a strong impression. I can report that it continues to make an impression many visits later, especially when combined with the cacophony of thousands of the birds or the wild group take-offs that occur when they are spooked by predators or other triggers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Geese

Evening Geese
A large flock of geese takes to the air in evening light

Evening Geese. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A large flock of geese takes to the air in evening light

Each day among these migratory birds moves through a kind of cycle, with variations that eventually become familiar but which don’t become any less compelling or exciting. It typically starts with a pre-dawn drive and arrival at a likely spot to find them — preferably in fog! It is always thrilling to catch the first sight and sound of the birds. The day continues, likely passing from fog to hazy sunshine, as the birds tend to settle into midday routines. Sometime after lunch it is (almost always) time for a break, but the work resumes by mid-afternoon. At first things happen slowly, but as evening approaches the pace picks up – more birds coming and going, more frequent take-offs, light that evolves in beautiful ways — and before long it is sunset and then dusk.

Early morning and evening are times of daily transition for the birds, so there is often a lot of action. Although a mass take-off can occur at almost any time if something sets off the flock, they become more likely and more impressive in the evening. They also become more difficult to photograph! As light fades and the subject becomes more interesting, the photographic challenges of low light increase. Rather than giving in to the dimming light I often take a different approach and embrace the motion blur, following the general mass of birds but allowing the fine details to soften and merge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Island, Fog

Wetlands Island, Fog
Thick tule fog obscures the view of a San Joaquin Valley wetlands island

Wetlands Island, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick tule fog obscures the view of a San Joaquin Valley wetlands island

I can’t think of nicer weather for California’s Great Central Valley! (Well, unless you really need to get somewhere by car, in which case this kind of pea soup fog will slow you down, drive you nuts, and make you worry about those drivers who insist on traveling through it at high speeds.) I had a pretty good idea that it was going to be “this kind of day” as I approached this favorite bird photography location. Most of the drive had been clear, but a few miles away the fog suddenly thickened and soon I was creeping along narrow back roads at low speeds.

Our photography begin in fog so thick that we really could not see any of the birds that we heard, even though they were obviously not that far away. Finally it began to thin enough that we could see a few birds, dimly, though the mist. We photographed them for a while, and then I decided to make another circuit of the spot before the fog dissipated. Partway along the fog became less thick and it began to glow from above. I stopped, switched gears from bird photographer to landscape photographer, and made several photographs of these mostly obscured islands and trees and bushes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.