Tag Archives: refuge

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Migratory Birds, Dusk

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Migratory Birds, Dusk - Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California
Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California

Migratory Birds, Dusk. Merced National Wildlife Refuge, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California.

I think that I’m as interested in the landscape of the Central Valley of California as I am in the migratory birds that I went there to photograph during the last weekend of January. I’m still surprised to find that this landscape is more varied than I realized for many years, even though I’ve lived in California almost all of my life and I frequently drive through the Valley on my way to the Sierra and other places. I used to think of it as “that hot place between here and there,” at least in the summer. Later I found out about the very different winter climate there, where it is often foggy for days or weeks on end. The, after I learned about the amazing annual arrival of migratory birds, I realized just how much of the Valley is waterlogged at least part of the year.

The area of the Merced National Wildlife Refuge is one such area. Located more or less between the towns of Merced and Los Banos, it holds many seasonal ponds, and these ponds are the winter homes of thousands and thousands of birds. On our visit during the final weekend of January 2012, the birds were there, all right. However, they were mostly too far away to photograph them easily except when they occasionally passed over head. But the landscape was as accessible as ever. Here I wanted to accentuate the vast sky above the flat surface of the valley, so I tilted the camera up a bit so that the flooded fields and sparse trees sat at the bottom of the frame, and the gradient of color and light fills most of the frame, interrupted by passing flocks of migratory birds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Silhouettes, Flock of White Faced Ibises

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Silhouettes, Flock of White Faced Ibises
Silhouettes, Flock of White Faced Ibises

Silhouettes, Flock of White Faced Ibises. Merced National Wildlife Refuge, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A flock of white-faced ibises is silhouetted against evening blue sky and clouds above the Merced National Wildlife Refuge.

On this winter evening I visited, for the first time, the Merced National Wildlife Reserve on a detour I took while returning home from a few days photographing in Death Valley. This winter I have (finally!) started to become aware of the amazing annual influx of migratory birds in California’s Central Valley and I managed to get out there a couple of times to view and photograph the magnificent flocks of birds. Being new at this, I have been working at figuring out just how to photograph this subject, and I’ve come up with a few approaches that seem to work, though I have a lot to learn. In this case, I had figured out that if I just picked a spot and waited that eventually flocks would fly over my position, and that I would have a chance of photographing them against the evening sky and clouds. Being almost completely ignorant when it comes to identifying these birds – but no less impressed with them because of this – I had virtually no idea what I was photographing in the moment when I tracked the birds and made the exposures. In fact, it wasn’t until later that I noticed the wonderful curved bills of these birds and then found out from my friend Tom Clifton (who does know how to identify these critters) what they were.

As the birds approach I work to synchronize my camera motion with the speed and direction of their flight. I try to keep them in the frame, and preferably in the frame in a way that might create an interesting composition. And while I do that I try to keep some attention on the background against which they fly and some small remaining bit of my attention on the technical matter of keeping at least one of them under an autofocus point in the camera’s viewfinder. As a flock approaches, things seem to start out fairly slowly and it may seem like the birds are taking a long time to arrive. But as they get closer – especially when shooting with a 400mm focal length and double-especially when they are as close as this flock – the action speeds up, and as they pass overhead it is all I can do to keep them centered in the viewfinder as I let the camera’s burst mode do its job at the right moment.

There are things about the experience that the camera cannot capture. The cold and damp of a Central Valley winter evening might be evoked by the right sort of landscape photograph, but not by a photograph like this one – yet this is an integral part of the experience. Even more than that, the sound of these birds, alone or in huge groups, sticks in my mind as much or more than the visual image. If you have been there and heard it, perhaps a photograph may cause you to recall it.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.