Tag Archives: restaurant

Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Krämergasse und Ingrimstrasse

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Krämergasse und Ingrimstrasse
Corner of Krämergasse and Ingrimstrasse, Heidelberg

Krämergasse und Ingrimstrasse. © Copyright 2018 G Dan Mitchell – all rights reserved.

Corner of Krämergasse and Ingrimstrasse, Heidelberg

I have walked this street in Heidelberg a few times during three visits in the past few years. Sometimes it is filled with people (and bicycles), but it was very quiet on this day when we used it partly as a way to bypass the busy main street, which was crowded with other visitors. On the corner at the left you can see the sign for a restaurant where we enjoyed a very fine meal on my birthday a few years ago.

There are several things that I like about this simple scene. The streets have a certain neatness and orderliness that seems northern European to me. Not all German cities that I’ve seen look like this — and even parts of Heidelberg don’t — but it is a “type” of street. The light was beautiful, too — coming across the tops of the buildings on the left side of the street, striking the faces of the buildings on the right, but softened a bit by thin clouds. And, at least to my eyes, those bicycles seem to be peeking out from behind the corners and they seem like the only things inhabiting this empty street.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Urban/Street

Restaurant Counter

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Restaurant Counter
A work counter in a San Francisco restaurant

Restaurant Counter. San Francisco, California. December 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A work counter in a San Francisco restaurant

In early December we took a couple of days off and stayed in San Francisco. Usually we would simply drive there and back or take the train, but we had concerts to attend on two nights in a row and the thought of doing that drive up (in rush hour traffic) and back (at around midnight) twice in a row was enough to persuade us to simply find a place to stay. Of course this meant we had a lot more time to wander around the City with cameras and to more opportunities to grab a meal at some new place. This restaurant is very close to a location where we frequently attend concerts, but it was the first time we tried it. It is a casual place, but that was just right this time.

Typically one might not want to be this close to the food preparation areas (and the entrance to the kitchen) but in a tiny place like this that cannot be avoided. Plus it gave this photographer an opportunity to photograph things that are more interesting — to me anyway! — than the people sitting at nearby tables. (And less likely to get me kicked out than if I had started photographing other diners!) The photograph is also a reminder of how good — and even fun — it can be to always have a small camera along, even when your primary goal isn’t photography.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Restaurant, Evening

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Restaurant, Evening
Evening diners in a San Francisco restaurant

Restaurant, Evening. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening diners in a San Francisco restaurant

Earlier this month I spent an evening photographing at night in San Francisco, this time with my fellow Studio Nocturne SF photographers. That got me thinking about other night photography that I’ve done this year in The City, so I went back to the raw files from this spring visit when I joined another group of friends for dinner and then to photograph along the waterfront, in the same general area where I photographed earlier this week.

I’m often intrigued by shops and restaurants at night, partly perhaps because they often provide a source of light, some of which can spill into the surroundings, but also for the slightly voyeuristic experience if looking through the windows and observing patrons. It was a warm evening when I walked past this place and many windows were open. If you look closer you might see what I see — each window providing a separate and somewhat independent image, almost like paintings hung along the wall in a gallery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Calder and Lunch, A Juxtaposition

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Calder and Lunch, A Juxtaposition
A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

Calder and Lunch, A Juxtaposition. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

During an early July visit to New York City we found time to wander over to the new Whitney Museum to view several exhibits, including a special exhibit of Alexander Calder’s mobile and similar pieces. Not only did it include a large number of his pieces, all assembled in one room, but the museum arranged to put many of the pieces in motion, as they were intended to be experienced. Some of the mobiles depend upon shifting air currents, but several of the other pieces are actually motorized. The exhibit was fascinating in many ways — the setting-in-motion was part of it, but also the presentation of so many of these pieces one space was unusual.

Something else was unusual about the exhibit, and I found it a bit jarring. The Calder exhibit was in a large space on the top gallery floor. Many of the Calder pieces are enhanced by lighting that reveals the changing shapes of their shadows as they move, and monochromatic background walls help isolate the objects so that their forms are more clearly visible. But one wall turned out to hold a huge opening to an adjacent eating area, with bustling waiters, loudly conversing guests, the clanking of dishes and silver way, and big windows open to the brilliant glare of Manhattan. The juxtaposition was so odd and jarring that I just had to make a photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.