Tag Archives: ripples

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sea of Sand

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Sea of Sand
Overlapping sand dune patterns, morning

Sea of Sand. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Overlapping sand dune patterns, morning

On the last day in Death Valley this spring we were planning to head off to the Los Angeles area in the morning, but I decided I wanted to photograph one more time before departing. Although I really wanted to sleep in, after many days of rising very early, I decided to get up early one more time and head back to the dunes alone for one final bit of photography. I headed out before dawn and arrived at a location I had been to before, parked the car, hoisted a backpack and tripod, and headed out across the playa toward a section of dunes where I was reasonably certain I would be able to photograph alone. The distances are always deceiving, and the playa walk took much more than the ten minutes one might guess that it would take if unfamiliar with these places. Eventually I came to the low dunes that I had been aiming for, and I began to look for places where I could make sand fill the frame.

The dunes are deceiving on other ways, too. You might imagine that they are on the march, being pushed along by winds. The wind does move sand — and it was blowing around my feet on this morning — but overall the dune forms are actually quite stable. Sometimes these active looking yet stable features make me think of a sort of stop motion ocean, with waves and crests and valley mostly frozen — a stopped landscape mirroring the active surface of water. The patterns here range from small (the little ripples in the foreground) to quite large (the overlapping crests marching into the distance.) I worked this scene and others like it for an hour, and then it was time to leave — a walk back across the playa back to my vehicle, and then the long drive out of the desert.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

American Avocet, Reflection

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American Avocet, Reflection
American Avocet, Reflection

American Avocet, Reflection. San Joaquin Valley, California. February 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

American Avocet and reflection, San Joaquin Valley wetlands

I have written before — often! — about the tremendous numbers of birds in California’s Central Valley, especially in the winter when migrating birds overwinter here. It is easy to be most impressed by the birds that are the biggest, the most unusual, those that are found in almost unbelievable numbers, and those whose cries are most striking. Frankly, very few experiences can compete with the sound and fury of many thousands of geese taking to the air at once, the magic of squadrons of cranes gliding in at dusk, the grace and size of the slower-moving egrets and herons, and too many others to list.

I’ve never been the classic “birder” type — the guy with the scope who searches out and identifies any and all birds — though I have become much more sympathetic to the passions of such people as I have spent more time among these remarkable birds! More recently, as I have returned to these places more and more frequently, I have gradually become aware that there are many other birds besides the big, impressive specimens mentioned above. These include individuals such as the hawks and owls, small birds that also live in flocks such as red-winged blackbirds, and a bunch of smaller birds that hang out in and around the water… like the avocet shown here. At one end of a refuge where we frequently photograph there are some quiet ponds along the side of the access road. I rarely see the bigger birds here, but I have recently learned that there is a lot more going on here than initially meets the untrained eye. On one of our recent visits I spent some time photographing avocets against the mostly smooth water in the morning just after the fog had cleared.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dried Branch, Sand

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Dried Branch, Sand
Dried Branch, Sand

Dried Branch, Sand. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The dry remnants of a dead plant in recently wind-blown sand dune, Death Valley National Park

I have been visiting Death Valley regularly for perhaps fifteen years, typically photographing there for nearly a week every year for the past decade, and occasionally more. On my most recent trip, from which I returned only days ago, I was thinking about a number of thing regarding my experience with the place and how it has changed. On my first visits there was, of course, the excitement and wonder of discovering a place that was essentially completely new to me. I recall that on my first trip there I got close to the Race Track without going all the way to this location. We camped not far from that playa and I imagined this place that I had heard so much about and even envisioned it in a particular location – and when I did visit a year or two later I discovered that it was quite a bit different from what I imagined, though magical in different and perhaps more powerful ways. After a few years of visiting and photographing the best known iconic sites I began to find them less interesting, and though I continued to photograph them when the opportunity arose, I focused more on expanding the areas I knew about and on looking more closely at areas I thought I knew.

As I did this, I have to confess that portions of the Death Valley experience baffled me or even put me off a bit. While I found some of the terrain to be tremendously beautiful, there were other aspects that I just couldn’t quite relate to. As a person who has spent a lot of time in forested places with flowing water – mainly the Sierra Nevada – I found some areas of this desert to be, quite honestly, boring. I drove through or past them on my way to what I thought of as the more interesting places where I could find colors outside of the range from tan to gray and where some special object or formation might create an obvious center of interest. However, from time to time I would be surprised to find in some plain, nondescript, and even boring place an experience of stillness, immense space, and deep silence that I had rarely encountered elsewhere. More and more, I began to see this as a primary attraction of this landscape – more so in many cases that the specific features of this pinnacle or that formation or the other valley.

On this recent trip, conditions conspired to make me look more closely at some of these things that I had originally overlooked. The conditions were such that if I had experienced them a few years ago I might have simply left. (In fact, that thought did cross my mind once or twice on this trip.) The spectacular light really never came, skies were cloudy, the air was hazy, it was very hot, the winds blew strongly, and there was a dust storm. During the first couple of day, with the exception of shooting the dust storm, many of the subjects I had in mind simply didn’t work out the way I planned. A bit surprisingly, without the possibility of shooting yet another beautiful golden hour sunset image of a spectacular bit of geography (though I did do some of that still) I slowed down and looked more closely at some of those “boring” places that I had passed through more quickly in the past.

This photograph was made in one of those locations. It was not far from one of those iconic locations, but it wasn’t the iconic spot at all. An hour or so before sunset I simply wandered away from the road, past vegetation and into the sand, and started looking around. In the low spots between dunes, the world beyond was out of sight and the wind was blocked, and as the light faded I encountered again that deep and powerful and timeless silence that is so hard to find almost anywhere else.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Reeds and Reflected Sky

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Reeds and Reflected Sky
Reeds and Reflected Sky

Reeds and Reflected Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Reeds and blue sky reflected in the surface of a San Joaquin Valley pond

This image could serve an example of how puzzlement, patience, and good luck can lead to a photograph. I have looked at precisely this clump of reeds perhaps a half-dozen times, thought about how I might photograph them, but could not make it work. They grow in a marshy pond in a San Joaquin Valley wildlife refuge, near a spot where I almost always stop at least once each time I visit. The usual reason for stopping at this precise spot has little or nothing to do with these plants, and more to do with the wildlife that might be around or with the interesting light that often appears here at certain times of the day.

When I have stopped here to photograph those other things, or perhaps just to look around, I have noticed the reeds and wanted to photograph them, but remained puzzled about how to make the photograph work. It may seem odd that such a simple subject would be challenging, but it is hard to find a sight line to one clump that isn’t interrupted by others, the water is often a bit stirred up by wind and birds, and getting the right reflections and light on the water is a challenge. But each time I think about it, and I had even tried a few previous photographs. But this time I had some luck on my side. First, it was a very calm and still morning, so the surface of the water was almost glass smooth, with just very subtle ripples. Second, the morning fog and haze distinctly muted what could otherwise be an overpowering blue in the reflection from the sky. (I’m almost embarrassed to admit it, but I didn’t even go back to my vehicle to get a tripod to make this shot, instead just shooting it handheld.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.