Tag Archives: rocky

Forest, Granite Ridges

Forest, Granite Ridges
Morning light and thin forest along granite ridges, Yosemite National Park

Forest, Granite Ridges. Yosemite National Park, California. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light and thin forest along granite ridges, Yosemite National Park

This is to be a summer of travel, and a great deal of it will take me a long ways from my Sierra Nevada mountains — to other wonderful places, but not places that are wild and natural. (At least not until September, when my visits to the Sierra will recommence.) So I managed to get up into the Yosemite high country for four days in mid-July to do some photography… and breathing!

On the last morning, before returning to break camp, I headed out early to look for subjects in morning light. In fact, I had been watching this particular area and had in mind to photograph these trees, growing on an old glaciated granite ridge, against the background of more distant, haze-muted, ridges. Once I got there it was a bonus to notice the diagonal shadows of the distant trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Barren Slopes

Barren Slopes
Boulders scattered across the slopes of a rocky desert landscape

Barren Slopes. Death Valley National Park, California. March 31. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Boulders scattered across the slopes of a rocky desert landscape

This bit of landscape is a familiar one for me. An odd hill stands in the middle of mostly level playa and near drifting sand — the hill is composed of a different and darker material and is in other ways not like the surroundings. A number of years ago I discovered that place provides some panoramic views of surrounding terrain that stretch off into the distance, and I often go there early in the morning or in the evening to photograph when conditions seem right.

On this evening I did go there, but decided to wander along its flank rather than go to the top. At the base of the western slopes the rugged and rocky terrain faced the sunset sky, muted by high clouds, and presented a series of shallow valleys leading off into the distance, punctuated by boulders.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Narrows

Canyon Narrows
Twisting narrows in a desert canyon, Death Valley

Canyon Narrows. Death Valley National Park, California. April 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Twisting narrows in a desert canyon, Death Valley

On a late spring day of wind and sand storms in Death Valley National Park — and after several days of such conditions — we retreated to one of the deep and narrow desert canyons for an afternoon. After a short walk across the upper edges of a giant alluvial fan, we dropped into the lower reaches of the canyon and headed uphill. Soon the path entered the base of the range and the walls began to narrow, and the wide open world of the desert floor was invisible to us.

The canyons of Death Valley are in some ways similar to the more famous slot canyons of the Southwest. Both are formed by water coursing down narrow canyons, sometimes at high rates that rearrange the geography of the canyons significantly. But there are differences. Here the canyons are most often dry — a year round water supply in such Death Valley places is not typical. And the rock is not the familiar red sandstone of the Southwest, but here a more contorted and broken and often less colorful rock. But sections are very beautiful, and there is something very magical about this section of this canyon, as it narrows and passed between inward curving walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens and Rocky Cliff

Aspens and Rocky Cliff
Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

Aspens and Rocky Cliff. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

On this morning I woke up at my 8000′ eastern Sierra camp to temperatures in the mid-thirty degree range and light graupel, or snow pellets. But the clouds looked thin, and the combination of aspens and snow is appealing, so I headed up the canyon to a higher location where I thought that there might be colorful aspens and snow. When I got there, I wasn’t disappointed — the temperature was still down in the thirties, and the light snow continued to fall… and the trees at this location were probably at their peak color of the season.

The color of the trees was intense, but the soft light of the snowy, cloudy weather intensified colors even more. I went to the far side of the lake where I know of an accessible area that is a bit higher than the lake, with my plan being to photograph these trees against the backdrop of broken granite walls, using a long focal length to narrow the boundaries of the compositions and exclude distracting objects. For intense color everything was working in my favor: the peak color of the trees, the muted tones of the background rock, and the effect of the soft light from the overcast skies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.