Tag Archives: sand

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sand Patterns

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Sand Patterns
“Sand Patterns” — Patterns in sand dunes, Death Valley National Park.

Our main photographic targets during our late-February trip to Death Valley were Lake Manly and the impressive wildflower bloom, but we did schedule one morning visit to the sand dunes. We arrived well before sunrise when it was too dark to see our way into the dunes. Unfortunately, this was not to be a morning for grand dune photographs, since morning overcast blocked the sunlight. So instead we focused on small subjects — plants and flowers, the morning traces of the passage of wildlife, and textures of windblown sand.

I’ll break with the tradition of the these posts and write a bit about a technical photographic topic. A challenge of photographing the sand is that, unless you photograph straight down or find a suitably slanted bit of sand, depth of field can be a challenge. I sometimes employ a solution that surprisingly few photographers seem to use. I have a tilt/shift lens adapter for my landscape camera that lets me attach a medium format zoom lens and use the adapter’s movements to angle the pane of focus to match the surface of the dunes. That’s right — movements with a zoom lens!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Evening Road, Death Valley

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Evening Road, Death Valley
“Evening Road, Death Valley” — A gravel road descends toward desert playa under evening skies, Death Valley

Sights like this become familiar if you spend much time exploring Death Valley National Park — a deserted gravel track heading off into the arid landscape with hills in the distance. There are variations: a narrow track following a streamed winding between high walls, a road crossing high desert mountains, and others. This particular example is not all that isolated — though it doesn’t get a lot of visitors.

It was late in the day and we had hurried back down into the Valley in hopes of low-angle sunlight on the terrain between the road and the far hills. That did not happen, and the light was somewhat flat. But the same clouds that blocked the late-day sun also filled the sky above the desert terrain in this photograph.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Creek Bed, Autumn Leaves

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Creekbed, Autumn Leaves
“Creek Bed, Autumn Leaves” — Autumn leaves scattered on the sand of a creek bed, Zion National Park.

Photographing desert canyon streambeds like this one in Zion National Park is rewarding in so many ways. They are little laboratories in composition, texture, alight, and color, with nearly infinite variations. Water, whether by the current flow or the aftereffects of its passage, produces all sorts of fascinating patterns. It rearranges, moves, and sometimes collects whatever is loose — in this case autumn leaves. The light can be magnificent, soft and colorful. In ideal conditions it reflects back and forth between red rock canyon walls before softly and warmly bathing the canyon depths.

Beyond all of that photographic stuff, canyons are just fascinating places to be. The walls cut off the outside world, and your horizons are measured in feet. It is usually very quiet, with the exception of a bit of breeze, the sounds of water, and sometimes a bird song. When I visit them I wander slowly, taking it all in.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People In Landscape, Photographs: Photographers, Photographs: Southern California

Alone in the Wilderness

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Alone in the Wilderness, Death Valley
“Alone in the Wilderness” — Over a dozen morning photographers crowd one small section of sand dunes, Death Valley.

Yes, the photo title is obviously tongue-in-cheek. This is not really “wilderness,” nor is this a place where one is likely to be “alone.” But there is a lot to think about here. If you look closely — and you may need to click the image to get a larger view — you can count at least a dozen photographers spread out in this desert landscape that comprises a very small section of these dunes… and it is not at all the most crowded area.

You can diminish the number of people out there with you if you go in the off-season, avoid weekends, get up very early, and perhaps go there when the wind is howling. But most often you will not be anything like “alone” in this place. To be honest, one task for photographers here is figuring out to work around the crowds, assuming the crowds are not your intended subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)