Tag Archives: sandhill

Photographs: Nature, Photographs: Wildlife

Cranes, Fog, Morning Light

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Cranes, Fog, Morning Light
A flock, of sandhill cranes on the ground in foggy early morning light

Cranes, Fog, Morning Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock, of sandhill cranes on the ground in foggy early morning light

I’ve been sitting on this photograph for some time, a photograph from another time when a group of cranes lined up in the thin sunlight on a foggy morning, with empty fields leading into the distance and finally disappearing in the fog.

It is a bit unusual — though not entirely unique — to find a group of this many cranes standing in a row like this. Often they are in the distance, in smaller groups, airborne, or standing in strange positions and arrangements. Although the lighting is unusual, it is part of what attracted me to this scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Wildlife

Five Cranes, Morning Sky

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Five Cranes, Morning Sky
Five sandhill cranes pass overhead against blue morning sky

Five Cranes, Morning Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Five sandhill cranes pass overhead against blue morning sky

Cranes just might be on my mind this week due to a little snippet on a television program I saw last week. In it a couple of people, a photographer and a wildlife proponent, we sitting along the edge of a watery area in, if memory serves, the state of Nebraska. All it took in this brief clip was the sound of these birds, the site of them in flight and on the ground, and all of the associations with being in their ancient presence came back. If you’ve experienced it, you know — the moist air, the cold, the short winter days, and then the sound and sight of these birds.

There are lots of ways to photograph these birds. I often place them in the landscape, but here I wanted to focus on the birds themselves, as a group of them flew overhead in late-day light. Compared to certain other birds you might see in the same places and at the same times, the cranes have a more “stately” pattern of flight. They takeoff at a relatively low angle, and they often fly horizontally for a good distance before they gain much elevation. In smaller groups they fly beak-to-tail in undulating lines. Their wing motion is slower than that of, say, geese. Oddly, however, for birds that often seem so low-key, there are exceptions. One is the familiar “dance” that they do during mating season, when individuals extend their winds and jump into the air. In addition, I’ve sometimes caught then doing very strange things in flight — sudden twists and turns, beak pointed up toward the sky, and more.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature

Winter Fields

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Winter Fields
A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

Winter Fields. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Night, Photographs: Wildlife

The Cranes Return

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The Cranes Return
Sandhill cranes fly over full moon in twilight and return San Joaquin Valley wetlands

The Cranes Return. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sandhill cranes fly over full moon in twilight and return to wetlands

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.