Tag Archives: sandstone

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Fractured Sandstone Cliff, Plants

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Fractured Sandstone Cliff, Plants
Plants grow in cracks in a sandstone cliff, Zion Naitonal Park.

Fractured Sandstone Cliff, Plants. © Copyright 2012 G Dan Mitchell – all rights reserved.

Plants grow in cracks in a sandstone cliff, Zion Naitonal Park.

One unanticipated result of the pandemic restrictions on travel has been that I’ve had plenty of time to start digging through my archive of photographs made over the years. In some cases I have “discovered” photograph files that I had originally left behind, either because I didn’t understand how the image could work at that time or because I simply got distracted by other things and moved on. In addition to finding these “lost files,” the process of revisiting old work has caused me to rethink my original presentation of some photographs that I thought I was done with. This is one of those photographs.

The subject is in Zion National Park, where it is easy to find all sorts of interesting things along the red rock canyon walls. As I looked at my first take on this photograph, done eight years ago, I felt that I wanted to interpret it a bit differently. This version is cropped a bit more tightly, and I’ve handled the dynamic range of the scene a bit differently, perhaps retaining a bit more of the feeling subjects shaded by tall cliffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Travel, Photographs: Utah

Three Sisters, Sheep Rock

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Three Sisters, Sheep Rock
The Three Sisters, Sheep Rock, and other red rock formations, Arches National Park.

Three Sisters, Sheep Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Three Sisters, Sheep Rock, and other red rock formations, Arches National Park.

There are so many things bound up in photographs like this one that it would be possible to write a book about it. This was my first visit to this landscape and, as such, it was part of the rare experience of being in a place that I did not know at all. It also raises questions about the value of photographing icons — hint: there is some, but it is complicated. It is a photograph I made some years ago, bringing up the value of revisiting photographs that were originally left behind or perhaps interpreted differently. It brings up the questions about what landscape photographers do when the landscape is inaccessible.

I made the photograph during perhaps my first hour or two in Arches National Park. For someone who read Abbey’s “Desert Solitaire” decades ago, this visit was a long time coming. And, aside from that book, I came with few preconceptions about the park, and I had not researched before arriving. Consequently, as we drove in late the first afternoon I had almost no idea of what I would see. I was amazed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Snag, Red Rock

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Snag, Red Rock
An old snag stands in front of a freactured red rock cliff.

Snag, Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old snag stands in front of a fractured red rock cliff.

Let me repeat a slightly embarrassing story that I’ve told before. For many years I did not bother to photograph in the Southwest. There are several facets to the explanation. I was something of a Sierra “bigot” — I loved that landscape so much that I could hardly understand why I would want to look elsewhere. In addition, when I was very young and my family drove between our California home and the Midwestern states where my relatives lived, I thought that our route through Utah was boring.

So it was only in the last decade or so that I finally “discovered” Utah’s beautiful red rock landscapes. My first visit was on a spring trip that took us to Zion, then across the state through Bryce and Capitol Reef (perhaps the most under-appreciated of these parks) and then to Moab where we visited Arches and Canyonlands. Since that time I have returned at other times of the year and pushed my explorations out beyond the boundaries of the parks, but this photograph comes from that first visit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.