Tag Archives: shadow

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Drakes Bay, Fog

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Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Evening Fog and Rocks, Big Sur

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Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Exterior, One Maritime Plaza

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Exterior, One Maritime Plaza - Exterior detail of the One Maritime Plaza building, San Francisco.
Exterior detail of the One Maritime Plaza building, San Francisco.

Exterior, One Maritime Plaza. San Francisco, California. August 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Exterior detail of the One Maritime Plaza building, San Francisco.

This photograph focuses on details of the exterior frame of Maritime Plaza Building, in the general area of the financial district and not far from the Embarcadero and San Francisco’s waterfront. I photographed in “interesting” light – the weather provided a combination of high clouds, lower clouds that were dropping sprinkles of rain, and incoming ocean fog. Oddly, even with tall these sources of atmospheric opacity, there was still some light. Some came through the clouds, while some came from nearby areas that were a bit more clear.

As I have been doing a bit more recently, I chose to shoot towards a corner of the building, allowing the darker side on the right to seem to recede a bit. Meanwhile, the strongest ambient light fell on the “front” of the building facing to the left. I chose a black and white rendition of this photograph partly because, frankly, there wasn’t much interesting color in this subject, but also because I felt that black and white abstracted the image a bit more.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Windows, Ramp, and Asphalt

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Windows, Ramp, and Asphalt - The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington
The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington. The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington

Windows, Ramp, and Asphalt. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington.

This is the third in the short series of urban geometry photographs from my early May visit to Seattle, on which I had an hour (only an hour!) to photograph in the Fremont District with a group on a Seattle Photo Walk. After starting in “downtown” Fremont, meeting up at the Lenin statue, wandering over beneath the Aurora Bridge, and walking back along the waterfront, I climbed the stairs to another bridge that took me back toward my starting point.

This bridge turned out to be an interesting subject and vantage point. I made a few photographs of the bridge itself, mostly focusing on details, but for the most part those did not end up being images that I’ll share. However, once I got up on the bridge and started to walk across it, the vantage point it provide across the tops of buildings and down into areas below was interesting. The subject of this photograph is probably some of the most banal looking office space around, especially since I narrowed the composition down to simply showing a wall, some windows, a bit of concrete, the shadow of the bridge on which I was standing, and a painted out section of an asphalt parking area. It is what it is, and you get to figure out what that might be! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.