Tag Archives: shadows

Aspen Slopes

Aspen Slopes
“Aspen Slopes” — Aspen covered slopes on the east side of the Sierra Nevada.

People new to the autumn aspen “scene” in the Sierra Nevada often ask, “Where is the best place to find the aspens in the Eastern Sierra?” My answer may sound facetious, but it is accurate — “In the Eastern Sierra!” Sure, there are particular places where everyone goes to look and photograph, and many of them are spectacular. But the trees are everywhere. Drive across any Sierra Pass (slowly!) and you’ll find them. Head up or down US305 and watch (mostly) to the west, and you’ll see tons of them. Head up into most any east side canyon and they will be there.

In some other places large swaths of trees change virtually at the same time — in New England, for example. But things are more varied in the Sierra, and the color sustains itself for almost a month. It starts at the highest elevations and more in the north than the south. Then, generally speaking, it works its way from high to low and from north to south — through there are some variations here and there caused by exposure and availability of water. The trees in this photograph are in the transition zone between the dry high desert terrain and the first conifer forests as the elevation rises.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Aspens

Evening Aspens
“Evening Aspens” — Beams of early evening light on Eastern Sierra aspen groves.

As I photographed here in the late afternoon I was keeping an eye on the sun as it descended toward clouds and the Sierra crest to the west. These trees are beautifully back-lit by late afternoon sun, but it looked like that light source might disappear early behind the clouds. As it turned out, the partially blocked light created an unusual and dramatic effect as beams of light highlighted trees against the darker background.

I think that we like to flatter ourselves about our ability to find and take advantage of subjects and great light. We put a lot of effort into searching out visually interesting locations (a worthwhile endeavor!) and then being there when the light is likely to be ideal. But in the end we are, to a great extent, at the mercy of conditions. Sometimes that is a problem, but on evenings like this one the light gods send us an occasional gift.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Evening Shadows

Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake in Shadow

Lake in Shadow
“Lake in Shadow” — Morning light strikes cliffs above a shadowed Sierra Nevada lake.

For more than a decade, during most summers I have spent a solid week in the Sierra Nevada backcountry with fellow photographers, base-camped at various beautiful locations. (Travel and other things have interfered during the past two years.) These trips give us the opportunity to focus on photographing a limited area in a variety of conditions. On these trips we live in one small area for a week, and photograph only what we can walk to, frequently revisiting subjects several times.

This lake was just below our camp, and of course we photographed it many times — morning and night, sunshine, rain, fog, you name it. Most often I hoped for light that would open shadows in the landscape, but on this morning I decided to go with the shade and let portions of the image remain dark. In fact, the luminosity curve of this photograph is weighted strongly to the dark end of the scale. But I think that it captures the quiet mood here as the sun worked its way up the far valley toward “our lake.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.