Tag Archives: shadows

Shop Doorway

Shop Doorway
“Shop Doorway” — A tarp partially covers the doorway to a small shop, Lisbon.

Like big cities everywhere, Lisbon has a great variety of neighborhoods and ways of living. There are the popular squares and avenues, in some places lined with business and expensive stores. There are tourist-centric locations. And there are side streets that you might not see unless you walk and get a little ways from those other spots, perhaps on a walk from one of them to another. We headed down random streets between where we stayed and the waterfront area, and in doing so passed places like this shop.

Not that Lisbon or Portugal are the only cities where you see such things, but there are a lot of little shops here that have this sort of funky, improvised appearance. The elements of this one are striking, including the upturned basket holding open the tarp “door. Inside this shop you could buy wine, candy, and various other little items.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dark Passage With Scooter

Dark Passage With Scooter
“Dark Passage With Scooter” — A scooter parked in a dark passageway with a door to a garden, Orvieto.

This little photograph from Orvieto, Italy captures a common sight here and in other parts of Europe — a passageway extending from the street toward a private, enclosed area, which may often contain a garden. These views are always intriguing, suggesting a world beyond the street that is private and not open to passers-by.

They are not always impossible to visit. In Sevilla, Spain we stayed in a small hotel that very definitely embodied the Moorish influence that is so prevalent there. The facility enclosed such a central courtyard, with a fountain, plants, and tables and chairs — a private place that seems pleasantly isolated from the nearby streets.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes Detail, Sunset

Dunes Detail, Sunset
“Dunes Detail, Sunset” — Sunset light on sand dunes, Death Valley.

Sand dunes are a source of endless fascination to photographers. They provide a sort of workshop in light, texture, composition, and associations. They can be purely abstract, but their forms can also suggest many other things — human figures, water, mountains, and so much more. When photographing dunes you can play with the relationship between the abstractions and the real, perhaps choosing to incorporate bits of elements — plants, tracks, etc. — blur the line between the abstractions and the real.

Dunes change appearance greatly depending on the time of day and the atmospheric conditions. In some sense, they are a sort of canvas on which light paints. At times the shadows can be deep and even stark, but in soft light they can be almost as light as the highlights. It is hard to say with certainty what color dunes are. In the middle of the day they may seem almost colorless, but when they pick up the colors of sky and golden hour light they may become subtly colorful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Canyon, Cloud Shadows

Desert Canyon, Cloud Shadows
“Desert Canyon, Cloud Shadows” A twisting and colorful desert canyon empties in Death Valley under the shadows of passing clouds.

Light is everything when it comes to photographing the desert landscapes of Death Valley. The terrain is always impressive, but the midday light can be intense and harsh, washing out colors and muting details. But in the right light a feature that might look, well, “washed out” in that intense light can become beautiful. Add a few passing clouds to increase contrasts between light and shadow and things get even more interesting.

I don’t know the name of this little canyon or even if it has one. But I do know that there are canyons like it everywhere in this national park. Many are worth exploring, whether or not there is a trail. In many cases you can just walk carefully up the gravel fan to a canyon’s mouth and then follow a wash up among the quiet hills until you run out of time or the terrain becomes too difficult.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.