Tag Archives: shadows

Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Towers and Shadows, Sunrise

Towers and Shadows, Sunrise
Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

Towers and Shadows, Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

We have not visited Utah since before the 2016 election. I love Utah’s diverse and beautiful landscape, but once the state joined in the process of dismantling public lands I felt that the ethical — though painful — choice was to stay away until things were once again set right. Earlier this month we made it back and I can report that the state is as beautiful as it was before… and that I’m very glad to have been able to return. To a Californian, used to the mostly-gray landscapes of my beloved Sierra Nevada, the technicolor landscape of Utah is a revelation.

This photograph is another intuit combines planning and dumb luck. We got up a bit later on this morning. There was no need to catch the first shuttle into the canyon since our plan was to drive to higher country. This particular subject was on my list of sunrise possibilities, but when we arrived at the spot where I thought I could set up I could not find a place to pull over. That turned out to be good luck, as a few minutes later I figured out that a more elevated perspective was possible a bit further up the road. We found a place to pull over just. before the sun/shadow line reached the pinnacles, and I worked quickly to set up as the light continued to descend. I made a series of exposures starting with the first glimmer of direct light on the highest tower, and then I kept photographing as the light moved lower on the face, projecting the shadows of the ledge and towers on the cliff wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Windows and Shadows

Windows and Shadows
The shadows of passing figures on a pair of windows and a wall in Manhattan.

Windows and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The shadows of passing figures on a pair of windows and a wall in Manhattan.

This somewhat mysterious-looking photograph comes from a few years back on a visit to New York City. It was late in the day, and we found ourselves wandering along the Highline Park, the elevated park along a portion of the west side of Manhattan. The park wanders past all sorts of Manhattan features — apartments, hotels, businesses, parking, streets, and more. In such places unusual and fleeting lighting effects can occur, some of them as magical as the light I look for in the natural world. Among them is the potential for light to reflect back and forth among multiple reflective surfaces. This often softens the light and directs it into places where you might not expect it. That was the case here, as the light worked its way down into this urban canyon in the same way it does in the red rock canyons of the Southwest.

This photograph also exemplifies why I like to work with small and light cameras in urban environments — rather than using the larger, tripod-mounted gear I often use in the natural landscape. Here things happen quickly, often with little warning, and quickly disappear. Being able to respond quickly is critical, and this ability to work quickly and spontaneously often turns out to be far more important than having larger and objectively “better” gear. The ghostly shadows of the passing figures were gone within seconds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late Afternoon Shadows, Subalpine Lake

Late Afternoon Shadows, Subalpine Lake
Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

Late Afternoon Shadows, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

During mid-July I managed to get to the East Side of the Sierra fora few days of photography, hiking, and camping. Given the complexities of access to Yosemite right now I decided to go elsewhere — even though my usual “go to” for an initial summer trip like this tends to be the Tuolumne Meadows high country. I spent a bit of time in the Sonora Pass area and then headed further south to a location in the Bridgeport/Lee Vining region, where I found a campsite near a trailhead leading to high country lakes.

Since my schedule is prejudiced by my preference for early and late day light, I spent the early afternoon in camp. But by mid-afternoon it was time to load up the pack of camera equipment and head out. My trail passed several lakes as it ascended, each a bit more alpine than the last. At my scheduled turn-around time I reached a meadowy area with running water, several small lakes and tarns, and the small trees characteristic of near-timberline Sierra locations — in other words, my favorite terrain! I paused to make a few photographs there before starting back down the trail. As expected, the low-angle afternoon light began to distract me from hiking, and I stopped frequently. The first stop was at this small, shallow lake where the shadows were beginning to extend across the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.