Tag Archives: shoreline

Mono Lake, Sky and Mountains

Mono Lake, Sky and Mountains
Mono Lake, shoreline, and mountains to the east.

Mono Lake, Sky and Mountains. Mono Lake, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mono Lake, shoreline, and mountains to the east.

The landscape of the Mono Lake Basin offers tremendous diversity — everything from intimate scenes of tufas and other features, to grand landscapes stretching off far into the distance. It is even a place to photograph wildlife in the context of landscape. In the right conditions the water becomes a subtle and varied element of the landscape, too.

I recently visited here early on a summer morning. I was staying back up in the Yosemite Sierra, but I decided to drive down for one morning of “east side” photography, including the lake and then some areas further south and east. At first I wasn’t too excited by the “empty” blue sky, but when I saw it as a counterpoint to the textured blue of the lake’s water I thought it deserved a photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rocks, Wave, Horizon

Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bluffs and Morning Fog

Bluffs and Morning Fog
Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

Bluffs and Morning Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

I am still astonished by how widely variable the appearance of a single scene can be along this Big Sur coastline. On a winter day this area could be raked by monumentally powerful Pacific storms, raising winds and surf. On a quite summer evening it could be warm and peaceful with sunset light bathing the cliffs. On another summer evening everything could be socked in completely by thick fog.

On this spring morning the light coming over the ridges of the coastal mountains was still casting shadows along the shoreline, while the tops of the bluffs were in sunshine. Oddly, on a morning that began clear, fog was beginning to form down low, hugging the coast just above the water. Despite the bright morning sun, along these bluffs the principle color was blue — the blue shades of ocean water and the subtler blue of haze and fog and shaded rock, with the landscape and water eventually disappearing into the distance, muted by the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Subalpine Lake, Morning Reflections

Subalpine Lake, Morning Reflections
Morning light and reflections on the rocky shoreline of a subalpine Sierra Nevada lake

Subalpine Lake, Morning Reflections. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light and reflections on the rocky shoreline of a subalpine Sierra Nevada lake

A wonderful thing about making photographs is that I get to travel backwards and forwards in time almost at will. Here it is in the middle of winter, and by looking back a few months in my archive I can go right back to a beautiful late summer week spent photographing around a Yosemite subalpine lake with a couple of friends. All of the sensory memories come right back: the stillness of the morning lake as the first sun worked its way through high clouds and haze, the memory of carrying my camera around the perimeter of that lake every morning as I looked slowly of subjects, the first colors of Sierra autumn.

We camped here for a full week, working intensively to photograph in and around one small area. If you haven’t done this you could be forgiven for wondering how in the world one could spend an entire week in area not much larger than a mile or two across. In fact, I still have those doubts at the start of any trip like this. All I can say is that, inevitably, the end of such a week comes too soon, I depart with many things left unphotographed, and I often return to these places again and find even more to see and photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.