I photographed this version of “The Naked Emperor” in Aberdeen, Scotland, but I understand that the figure is found in many European cities. The artist signs his work, “Edward von Lõngus,”which I understand is a pseudonym meant to hide his real identity, in the Banksy tradition. I made the photograph along a very old, narrow street in an area of Aberdeen where there is a lot of other street art.
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Our recent travels to the British Isles began (aside from a very brief stopover in London) with a lengthy visit to Skye and the northwest of Scotland. After that first adventure we returned to Inverness and took a train to Aberdeen for a few days. After more than a week in the wild open spaces of northwest Scotland, returning to this urban setting was quite a contrast!
Continue reading Netherkirkgate
My recollection is that we came to this little wide spot among narrow Alfama lanes by following an interesting-looking stairway that led off to the side from a busier way. Our general plan was to climb up through Alfama to a viewpoint, and then to traverse over to the St. George Castle. But we were not in a hurry, and when we saw the side-route we decided to investigate.
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I love little off-kilter scenes like this one. In the center are two tile illustrations of the fado music tradition of Portugal. (The tiles were seen in an earlier post on this website.) They are aligned to perfect verticals and horizontals. But everything else tilts — the bench on the cobbled sidewalk, the pipe that frames the image, the wiring attached to the walls. A door at the left, barely intruding into the frame, is the only other thing that lines up.
Continue reading Bench, Wall With Fado Tiles