Tag Archives: sky

Fog, Sky, and Clouds

Fog, Sky, and Clouds
“Fog, Sky, and Clouds” — Fog glides over Marin County hills beneath winter clouds

I made this photograph in a familiar location in the hills of Marin County, north of San Francisco — at a spot where I often make a brief stop when I visit other locations in this area. As I was surveying a slightly different panoramic view, I happened to see these rounded hills to my south, with their mantle of morning coastal fog drifting across their summits and dropping into valleys. Above this scene, higher clouds from a passing weather system rose much higher into the sky. This combination of bright morning light, drifting fog, and the brilliant higher clouds is unusual, so I had to make a photograph!

I decided to keep the hills at the bottom of the frame to emphasize the space in the sky above. When I made the exposure I did not commit to either a color or black and white rendition, though I did think about some of the issues with the colors in the scene (which I won’t go into here) and the possibility that it could be a stronger monochrome image. However, when working the image in post I began to see a way of taking advantage of the contrast between the sunlit soft forms of the high clouds and the sky that would work best in black and white. (The lower hills were already essentially monochromatic, though with a distinct blue tone.) Of course, once one goes to black and white there is a great deal of creative potential for how the image is handled, using the digital analogs of techniques that would have been employed in the traditional darkroom.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Winter Morning, Rising Steam

Winter Morning, Rising Steam
Winter Morning, Rising Steam

Winter Morning, Rising Steam. New York City. December 31, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Clouds of steam rise into the winter morning sky above Manhattan

It must have been a slow week in Manhattan. When we arrived at our Canal Street hotel on Christmas Eve day, they upgraded us to a better room and put us something like 20 floors up, in a room with huge windows with a view to the east over lower Manhattan. A week later, on the final morning of our visit, we were enjoying this view one last time before checking out and starting the process of heading back to the west coast. (First a few hours in Brooklyn, then a trip to JFK, then a long flight…) It was a cold early morning, not too long after sunrise, and there was a high shield of thin cloud to the east. The sun was coming in under these clouds at a low angle and back-lighting the rising columns of steam all over the city, so we made a few final Manhattan photographs through the window before heading out.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Cranes, Sunrise

Two Cranes, Sunrise
Two Cranes, Sunrise

Two Cranes, Sunrise. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two cranes fly in front the rising sun above San Joaquin Valley wetlands

On New Years Eve 2013 I arrived back in the San Francisco Bay Area from New York after 10:00 PM. 8 hours later (2 hours of unpacking, four hours of sleep, and two hours of driving) I was in the Central Valley, where I met friends to greet the (literal) dawn of 2014 in the company of wild birds. We arrived before sunrise to find light fog drifting about and to hear the sounds of thousands of birds coming from every direction.

We made a few initial photographs before dawn from very close to our meeting location, and then we headed out into this wildlife area to find locations from which the birds (geese, cranes, herons, pelicans, and more) would be more visible. A few minutes later I looked over my left shoulder to see the very first sliver of the sun barely glowing through the layers of fog as cranes and other birds flew across the horizon above the marshland. I quickly found this spot where there was a small tree and where a bit of the further water was visible and I photographed though the sunrise, until the sun rose above the low mist and became to bright to include in the frame. There was a constant flow of birds across the scene – sometimes hundreds of them and sometimes, as in this scene, only a few.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.