Beach and shoreline bluffs above the blue water of Mendocino Bay, California.
This photograph was made on the beach along the shoreline of Mendocino Bay, beneath the tall bluffs that line the area. The land extends to the west and curves a bit to the south, allowing me to photograph back along the curving beach, toward the inlet of the river that drains into the bay and the forested hills beyond. The light was interesting – fog was coming in along the coast and was overhead at my camera position, but clear just inland of me. This created soft and somewhat gray light on the foreground water, but allowed the further hills and forest to be in the light. It also made the interesting reflection on the calm water more visible.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dusk haze from northern California forest fires colors the sunset sky above Stinson Beach.
The typical wildfires of September and October are a mixed blessing. They are most certainly tragic for those whose homes and livelihoods are affected by them, and Californians have learned to take their dangers very seriously. At the same time, fire is a natural part of the ecology in this part of the world, and a healthy environment for forests and grasslands seems to require periodic fire. In any case, the fires can also seem like a mixed blessing. If you go to areas affected by the smoke at this time of year – and it happens essentially every year – looking for clear vistas, you may well find them impeded by smoke and haze. On the other hand, if you look at this phenomenon just a bit differently you may find that the hazy atmosphere can produce its own visual magic – and especially at sunset.
This is another of several photographs I made at the end of the day just below Stinson Beach, as we climbed into the headlands hills of the Golden Gate National Recreation Area near sunset during our drive back down the coast from the Mendocino area. With this sort of atmosphere it is hard to know in advance just how things will evolve – will the day simply come to a quiet and gray conclusion, or will the golden hour light illuminate and color the atmosphere in brilliant sometimes almost unbelievable ways. The entire sky did not look like this, but down close to the horizon and right above the shoreline extending from Stinson Beach it did light up with a very colorful glow, so I used a long lens to limit the angle of view to the most colorful portions of the sky and haze.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County.
The last time I passed by this section of the California coast highway in Mendocino County, I also stopped to photograph this scene – but was less happy with the result. This section of the coastline, like much of the meeting between California and the Pacific Ocean, consists largely of high coastal bluffs, interspersed with the steep canyons where creeks and rivers meet the ocean, with many rocky islands ranging from tiny to huge. The two-peaked island in this large cove fits more into the huge category and it is backed by two fingers of land where the high bluffs extend toward the ocean. In the far distance, a section of curving coastline is barely visible through the haze.
Recently someone asked me about how I decide whether a photograph will be black and white rather than color. I admitted – and it turns out that many feel the same – that often I am not certain when I make the exposure. Roughly speaking, the black and white photographs come about in perhaps three ways. Sometimes I like the subject but the color rendition just isn’t working the way I had hoped, so I try it in black and white and “discover” that I like it that way in post. On other occasions, at the time of exposure I sort of wonder if it might work in black and white and I make mental note to try it that way in post. In the third case, I “know” (with only a small amount of doubt) that the image is going to end up in black and white and I shoot the scene with that in mind. This is one of those photographs – I was almost certain that it would end up in black and white as I stood high on a bluff next to highway 1 making the exposure.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.
One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.
I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
