Sky above the San Francisco Bay Area, September 21, 2012
There probably isn’t a lot to say about a photograph of a small section of the September sky above northern California. I made the photograph while waiting (for three hours!) for the Space Shuttle Endeavour flyover at the NASA/Ames Research Center Moffett Field. Fortunately, it was not a typical perfect blue sky California September day – instead there were some beautiful high clouds of various sorts that were probably connected to the passage of some tropical moisture. Standing around with a bit lens on the camera and nice clouds overhead – why not photograph a few of them? :-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.
Last week I was making the long drive back over the Tioga Pass Road from the “east side” following a short pack trip up into McGee Canyon. After catching an early dinner in Mammoth, I headed north and then up over the pass, crossing into Yosemite about an hour before sunset. I figured that this would give me one more chance to do a quick bit of photography before calling it quits and focusing on the drive back to the Bay Area. Since I had spent some time earlier in the week shooting in the Dana Fork meadows and in Tuolumne Meadows itself, I decided to continue on and just see where I might end up a half hour or so before sunset.
It turns out that the “where” ended up being Olmsted Point – not exactly an original place to shoot, but what the heck! In the back of my mind, of course, was the possibility of shooting the classic “back side” view of Half Dome if the evening light proved interesting enough. So one of the first things I did was scope out the precise spot where I wanted to shoot that subject a bit later. Then I turned my attention elsewhere. It turns out that there are quite a few other interesting things to photograph here: the trees across the road on the large glaciated dome, the trees below the parking area, sparse trees growing along ridge tops all around, side light from the setting sun, and much more. So while waiting to see how that Half Dome thing might develop, I shot a bunch of other subjects, all the while watching the evolving light down towards The Valley. At first it didn’t seem all that interesting. The light was a bit flat, perhaps due to cloud cover to the west, and the potentially interesting overhead clouds had a bit of a strange color cast. However, I suspected that after the sun set that there might be some interesting glow on the face from the west, and that the clouds still might pick up some interesting color. And, in fact, this photograph was made when the sun was no longer shining directly on Half Dome – instead it was illuminated to that “after glow” of the sunset as the very last sun began to color the streaming clouds beyond.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening sky above Olmsted Point in the Yosemite Sierra.
On my return from a mid-September eastern Sierra backpack trip, I again passed through Yosemite National Park on the Tioga Pass Road. By a bit of luck combined with some planning, I managed to time of my passage so that I could be there during the last hour or so of the day, figuring I might try to grab a few last opportunistic photographs before driving back to the Bay Area after dark. With that long, dark drive ahead of me, I decided to aim for a stopping point a bit further west along the route, and I stopped about a half hour before sunset at Olmsted Point.
Although I have a number of photographs of the iconic image of the “backside” of Half Dome from this location, the lighting here can be interesting enough that I’ll stop and try “one more time” if I happen to be there. As is often the case, the lighting did not initially appear too promising. The typical autumn wildfire haze was in the air, lending a bit of a yellow/brown color to the hazy lower atmosphere, and the higher clouds seems thin. But if there is one thing that I (and just about any other landscape photographer!) have learned by now, it is that the last minutes of daylight {and the first moments after the sun sets} can be full of surprises. I began with the practical step of scoping out a composition of the iconic dome, but then I turned my attention to lots of other subjects that surround Olmsted Point: the sparse trees ascending the granite slabs across the roadway, higher ridges across Tenaya Canyon and in the opposite direction, the Sierra crest around Mount Conness, and the sky. For a brief moment after the sunlight had left Olmsted Point, the final rays passed through atmosphere near the western horizon and lit up the patterned layers of clouds and drifting wildfire smoke.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Point Arena Lighthouse stands atop rugged coastal bluffs along the northern California coast.
I have only visited the Point Arena Lighthouse one other time. This is symptomatic of the fact that I have overlooked the far northern coast of California. I suppose I’ve been too busy with the Sierra and other areas in this state full of visual riches, but since “discovering” the northern coastal areas I have become much more interested in photographing there.
This visit was during the middle of the day and the sky was almost completely clear – not exactly stirring conditions for photographing such a scene. So I spent some time looking at locations and angles and possible composition, at least partly with an eye to returning yet again but during a time of more interesting lighting – this location might be spectacular in the right late day light, and dawn isn’t out of the question.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
