Tag Archives: soft

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sierra Shoreline, Morning

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Sierra Shoreline, Morning
Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

Sierra Shoreline, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

This photograph brings back a bunch of wonderful and somewhat wistful memories. I made it on a weeklong wilderness trip with a group of photographers with whom I’ve been heading into the Sierra backcountry almost every summer for more than a decade. (The “wistful” part of the memories is largely because the pandemic has prevented us from getting together again this summer.) We typically spend that time exploring some beautiful Sierra location, base-camped long enough to really get to know the place. Every morning we emerge from tents in darkness and head out to photograph for hours. We return to camp in the middle of the morning with stories to tell and chores to take care of. Late in the afternoon we head out into the field again, photographing until the light fades and we return to camp in darkness. The we do the same thing the next day.

This trip took us to a beautiful little forested lake in the Yosemite backcountry, a place I had not visited previously even though I had been in the general area quite a few times. The lake is up high, with expansive views from nearby ridges, and surrounded by forest. On most mornings I did a slow circuit around the lake as the light arrived. This lovely section of shoreline was more or less on the opposite side from our camp, and after photographing it more than once I figured out the light well enough that I was able to photograph it in the soft morning light just before the sun arrived, when the water was still smooth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Surf, Sand, and Fog

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Surf, Sand, and Fog
A wave breaks on a Big Sur coast beach on a foggy morning.

Surf, Sand, and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A wave breaks on a Big Sur coast beach on a foggy morning.

This may be one of the “quieter” photographs I’ve posted in a while, but maybe that’s a good thing. It comes from another recent visit to the Big Sur Coast below Monterey, California. While it has been historically hot and dry in virtually all of California this year, the coastal areas have provided a welcome exception. Even on some of the days when heat (and dryness) records were toppling further inland, along much of the coast it was typical summer weather, cool and foggy. (Some folks are now referring the the current month as “Fogust.”)

We live in a San Francisco Bay Area location that, while not on or ever all that close to the water, is near enough to pick up the ocean influence, which here typically means high fog in the mornings and a breeze in the evening. On the day of this visit to the coast there was fog (and some wildfire smoke and haze) almost everywhere, but it was the thin sort that simply mutes and softens the features of the landscape rather than rendering them invisible. I stopped here to photograph something else, and after finishing that task I looked at the beach and saw this very quiet and peaceful scene of a bit of beach, a single breaking wave, and the ocean extending toward the foggy horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Ocean & Coast

The Sea

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The Sea
The soft color and light of fog, sky, and ocean along the Pacific Coast.

The Sea. © Copyright 2021 G Dan Mitchell – all rights reserved.

The soft color and light of fog, sky, and ocean along the Pacific Coast.

Well, this is slightly embarrassing. Actually, it would not be — if I just kept the story to myself. (And, indeed, I am keeping part of the story a secret. Feel free to wonder.) Just a few days ago I read about and saw some photographic work that was seemingly defined by its intentional out-of-focus quality. And not in what I regarded as a good way. My response to the work was that it looked like photographs that would have been quite mundane — bordering on snapshots — if they had been in focus. But because they were not, they ended up in a gallery. And now I present… a very out of focus photograph.

So, what to make of this? That’s actually up to you, but to the extent that a photograph is about things or expresses something, well one way to think of it is that by removing some of the familiar details of the subject you are free to think about larger aspects of it that might be less apparent if you were distracted by the “small stuff.” I’m also working with some ideas about color and luminosity here. That’s all I’ll say for now…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Narrows

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Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.