The porch and entrance to an urban residence, Pasadena, California
This is another photograph I made during the blue hour time just after sunset and before actual darkness, while walking around near downtown Pasadena, California. We started our walk in late afternoon sun, continued as the sunset came on and golden hour arrived, and continued walking on into and past dusk. Later on the walk we turned down a street lined with small, old residential units — homes, apartments, and so on.
Somehow this front door at the top of the cement steps reminded me of an earlier time, perhaps when I was a child. The architecture seems old enough to come from more or less that era. I also like the little unexpected things in the scene, some of which I wasn’t really aware of until later when I looked at the photograph: the hummingbird feeder, the watering can sitting on the porch, that odd slender “thing” to the left of the door, the slightly peeling paint, the faint suggestion of things inside the window at the right.
“Apartments, Driveway, Dusk” — Security lights illuminate the driveway of an urban apartment complex, Pasadena
Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)
It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.
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Here is another photograph in what I sometimes refer to at the “this-will-perplex-fans-of-my-landscape-photography” category. :-) The scene is a busy London street, photographed during a visit last August as we walked though this area. (If memory serves, we may have been on our way to a concert.)
In general, I’m not a fan of photographs that require too much explanation. That being said, I acknowledge that some photographs do require this… so here is a bit of explanation. You could look at this simply as a visual record of a place in the city. In fact, there is a bit of that here, since part of what got my attention was the red “Balthazar” awning above the bakery across the street, and my wonder at the use of the same name for a popular bakery in Manhattan. You can also try looking at the photograph simply as an image constructed of a limited range of colors (one in particular!) and forms, some of which may reveal surprises if you look closely. Anyway, that’s my story, and I’m stickin’ to it.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
