Tag Archives: street

Photographs: New York City

Two Bridges, East River

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Two Bridges, East River
The East River and Manhattan Bridge, photographed from the Brooklyn Bridge, winter.

Two Bridges, East River. New York City. Deem her 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The East River and Manhattan Bridge, photographed from the Brooklyn Bridge, winter.

During our recent December 2015 week-plus in New York City we stayed only a five or ten minute walk from the Brooklyn end of the Brooklyn Bridge. Primarily that put us in a great area for food and other things and very close to a bunch of subway stations, but it also meant that a walk on the bridge was almost inevitable. On this day we had a date at the Metropolitan Opera in the evening, but we found ourselves with just enough time to wander onto the bridge before we had to go to Manhattan.

This bridge is, of course, a tremendously popular place these days. Even on a cold day after Christmas there were hordes of people walking across. I think I’ve made the classic photograph of the bridge towers and cables before, so I was looking for something that wasn’t that. As I walked along I noticed how the Manhattan Bridge towers (and other urban landscape elements in other photographs not shown here) lined up between the cables, and I soon found this spot that placed parts of the bridge structure in the foreground.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

11th Avenue

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11th Avenue
Looking down 11th Avenue from the High Line Park

11th Avenue. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Looking down 11th Avenue from the High Line Park

Expect a wide-ranging mix of photographic subjects over the next few weeks. There will certainly be more from the San Joaquin Valley, both landscapes and wildlife. I still have some older photographs from the Sierra and other locations in the queue. This photograph is part of an inevitable series of “urban landscapes” and urban/street photography from our recent visit to New York City. The latter is a favorite subject of mine. As a west-coaster, I only get to photographer there perhaps once per year, but when I do I like to take full advantage of the opportunity.

This photograph feels like an urban landscape to me. On the final day of our trip we found time to revisit the High Line Park, a place that has a different feeling at each time of year. The park, for those who may not already know, runs along the path of an old elevated railroad bed on the west side of Manhattan. It has become an incredibly popular place, but with good reason, as it winds through all sorts of interesting urban terrain a few stories above street level. A new section has opened since our last visit, and it extends the path northward to and past the Hudson Yards area. This photograph was made along the new section where it crosses 11th Avenue, and where I saw the same beautiful light that might stop me in my tracks anywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Man in White, Mosco Street

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Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: San Francisco, Photographs: Urban/Street

Woman at Crosswalk

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Woman at Crosswalk
A women waits alone at a cross walk for the light to change, San Francisco.

Woman at Crosswalk. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A women waits alone at a crosswalk for the light to change, San Francisco.

One thing that might surprise some folks about my street photograph is that I do not think that it is unrelated to my nature and landscape photography. I think that it all connects together as “photography,” whether the subject is a mountain or a building, a bird or a person. I also believe that photographing more than one type of subject — which some might regard as a dilution of vision — actually makes me better at seeing all kinds of subjects as photographs. Shooting street, where things often happen quite quickly and in the midst of a lot of visual stimuli, forces me to be “on” all the time, to see potential subjects quickly, to recognize things that work instinctively, and to look for juxtapositions. And photographing natural landscape subjects informs the way I see the urban landscape.

One obvious potential thread in urban photograph is the juxtaposition of individual figures against a constructed and sometimes massive and impersonal urban landscape. I often look for these “stages” and then watch for people to appear and populate them. This location can actually be a fairly busy street corner, but here I first found the massive stone building, then waited for the scene to clear with the exception of the solitary woman waiting for the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.