Tag Archives: summer

Clearing Storm, Evening

Clearing Storm, Evening
The sky lights up with sunset color as a Sierra Nevada summer storm clears.

Clearing Storm, Evening. © Copyright 2022 G Dan Mitchell.

The sky lights up with sunset color as a Sierra Nevada summer storm clears.

Our backcountry stay began with the absolute worst summer Sierra storm I can remember. Within seconds of getting our tent up the skies let loose with an hours-long barrage of extremely heavy rain, hail, thunder, lightning, and wind. Everything around us flooded, and we had a stream flowing under the tent. There was nothing to do but shelter in the tent and try to stay dry and warm. We managed to escape briefly to eat a quick dinner, but the rain continued. It paused later that night… and then resumed very early in the pre-dawn hours and continued through most of the next day, albeit not as heavily.

Finally, late on day two, the storm broke. We began to see some thinning in the clouds to the west, and we began to hope for some interesting sunset light. Out we went, with each of us making guesses as to when and where the light might appear. At first I photographed the fog that was drifting back and forth among the surrounding peak, and then I began to turn my attention to the west, where I hoped to get some sunset color. Not much was happening there… and then I looked behind me to see see this scene developing!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Clearing Storm, Evening

Clearing Storm, Evening
Summer thunder storm clouds clear at sunset above the Sierra Nevada crest, Yosemite National Park.

Clearing Storm, Evening. © Copyright 2022 G Dan Mitchell.

Summer thunder storm clouds clear at sunset above the Sierra Nevada crest, Yosemite National Park.

Photographic prospects seem to be distributed across a sort of bell curve. Most of the time the opportunities are fine and interesting, and it is possible to make decent photographs from what you find. Occasionally I find myself at one of the sharp ends of the curve. When at the end where nothing much seems to be happening, I remind myself that I’m storing up karma for those moments when the opposite happens. And if you are out there enough, these unbelievable moments will happen from time to time — and they are enough to keep you coming back.

This was a truly memorable evening that provided an embarrassment of visual riches. Soon after this trip, I came up with a series of four photographs in landscape orientation that traced the astonishing evolution of the light from late afternoon through dusk. Four seemed like plenty at the time, so I left the rest behind — some of which would normally have been keepers. This is one of those, made when I briefly shifted the camera to portrait orientation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Zeum, Architectural Detail

Zeum, Architectural Detail
A San Francisco view from the Zeum on a blue sky day.

Zeum, Architectural Detail. © Copyright 2022 G Dan Mitchell.

A San Francisco view from the Zeum on a blue sky day.

Recently I have leaned on a Minor White quote more than once: “One should not only photograph things for what they are but for what else they are.” I’ve always taken this to be about photography’s burden of “capturing the real world,” how limiting that goal may be, and how photographs can be seen in other ways. It is almost always worth asking about a photograph, “Beyond what this is, what is it?”

This is, obviously, a photograph of a bit of architecture in San Francisco, a place called “The Zeum.” I’ve wandered through it many times while on San Francisco photography walks. An incomplete list of the “what else it is” in this photograph could include some of the following. It is about color and light and shadow. It is about perspective and angles and lines. It is about that sky and that single cloud. Perhaps you can think of other things?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.