Brick walls and windows along a London street, late afternoon
There is probably not a whole lot to write about this photograph. As we walked some London streets that were not quite as filled with tourists, I looked up this side street and saw the beautiful series of brick walls, with all sorts of interesting interruptions of the basic form: windows, an indented darker area housing windows, conduit and a lamp, etc. Between the darker bricks further along the wall and the shadow near the camera position, there was a brighter band of sunlit bricks.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A bicyclist disappears around a corner on narrow cobbled streets of Salzburg, Austria
During our July 2013 three-week travels to London and parts of Germany and Austria, we ended up in Salzburg on several occasions – despite the fact that we weren’t actually staying there. We spent a week near Berchtesgaden in Bavaria, staying with a bunch of family members at a rambling old farmhouse. We spent most of the time there in Bavaria, but on a couple of occasions we ended up in nearby Salzburg, plus out train arrived at and departed from the Salzburg station.
The old part of Salzburg combines, as many places we visited also did, some beautiful old history and lots of very wonderful old places with a whole lot of touristy stuff! I wonder how Mozart might react to discover that fast food places are now a short distance from the place in which he was born! Several times we walked away from the main, popular area and walked through some narrow and twisty streets leading away from the tourist sites. As we walked down this narrow and curving street, a cyclist suddenly passed by, and I had just enough time to lift the camera and shoot as he leaned around the corner at the end of the street.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunlight filters through dense forest in Olympic National Park, Washington
During mid-August we traveled to the Seattle area – not primarily for photography but mainly to see the Seattle Opera production of Richard Wagner’s Ring Cycle. The Seattle Ring is sometimes referred to as the “Green Ring,” largely because the production design draws heavily on the natural world of the Pacific Northwest, and especially on the forests. Even when photography is not the primary focus, it is never too far away, so on a day when there were no performances we decided to take the ferry across Puget Sound to the Olympic Peninsula and see what we could find. We left the Seattle area in heavy fog – the subject of at least one photograph that I’ll post later on – but when we got across the water it was relatively clear. That was a bit surprising since I’ve had seem some pretty cloudy and rainy weather out there in the past, including one memorable trip to Hurricane Ridge when we arrived to find visibility that must have approached, oh, about fifty feet.
One of my brothers, also a photographer, lives in the area and after seeing the positive weather forecast he had suggested that we start at Sol Duc Falls. In actually turned out that the weather was perhaps a bit too nice, as this heavily forested area ended up exhibiting that deadly combination of bright light beams coming through the trees and deep shadows down below, an effect sometimes called “pizza light.” It is about the most difficult thing to photograph, as the dynamic range of the scenes is just far too large for cameras. We hiked to the falls, a short and pleasant hike, and arrived to find that the base of the fall, which is in a deep gorge, was in dark shade while brilliant direct sunlight hit the top of the water. I decided to not try to photograph this – “been there, done that!” – and instead see what I could find in the surrounding forest itself. The light issue remained here, too, but I noticed that a few puffy clouds were blowing around and I figured that I could set up the shot and wait for the nice soft light to arrive in the shadow of one of the clouds. This photograph was made in exactly those conditions – a passing cloud momentarily obscured and softened the light. I think that seeing the beautiful forest-inspired set of Seattle’s Ring had put me in a frame of mind to find and photograph this sort of thing, and I feel like this photograph reflects that connection.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on tall trees spared by a wildfire, Yosemite National Park
This is a sort of sad but hopeful portion of Yosemite. This valley, along the Tioga Pass Road, was badly burned back in the 1990s in a fire that burned upslope from the Foresta area and through old forest than had not burned in a long time. Back in the days of fire suppression, during the decades without fire a lot of undergrowth grew up and many fallen trees and other sorts of flammable debris collected. The result of Smokey Bear’s call to “prevent forest fires” was the creation of a very fuel rich forest environment and produced super-fires that were so hot that they not only consumed undergrowth but killed mature trees. This fire was one of those, and the forest in this valley near the upper reaches of the fire, just before it was halted at Tioga Pass Road, was almost completely decimated.
At first I found the sight to be depressing. Gradually I have come to regard fire as a normal part of forest ecology and can now see some stark beauty in its aftermath. However, this valley has remained a scar and a blunt reminder of why managing natural fires, along with other measures, makes for a better strategy. After a few years I began to think that there might be a photograph in this valley, though I stopped for several years without seeing anything that would work. I began to think that it might be good to try to photograph late in the day when area is open to the evening sky in the west – but I stopped a number of times and it just wasn’t right. However, on this trip I passed by early in the morning, just as the sun was topping a ridge to the east (left) and lighting up this small group of older trees that survived the original fire and now form a little outpost of forest against the desolate face of the far hillside.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
