Tag Archives: towers

Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Sky, Passing Birds

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Tufa, Sky, Passing Birds
A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

Tufa, Sky, Passing Birds. Mono Lake, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

It is easy to think of the tufa towers and being the iconic features of Mono Lake, and arguably they perhaps are. They are certainly the destination for many visitors to the lake, and I have often been to them before dawn to photograph the first light striking their forms. A small group of the towers are included in this photograph, too, though I don’t feel that they are necessarily the predominant feature here.

When I think of Mono Lake, other things come to mind before the tufas. One of the first associations is the immense space encompassed by the lake itself, the larger basin that contains it, and the huge expanse of sky overhead. Very close to that are two related non-visual associations — a great stillness (interrupted only perhaps by a few birds) and a profound silence. For me, this is a place to approach quietly and without hurry.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

SFMOMA, Cloud

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SFMOMA, Cloud
A cloud above the new SFMOMA building

SFMOMA, Cloud. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A cloud above the new SFMOMA building

I think my landscape photographer instincts went to work on this photograph, despite its thoroughly urban subject. But imagine a valley floor, a vertical granite cliff, peaks beyond, and a cloud floating past and I think you might see the analogy. But this is a distinctly San Francisco street/architecture photograph.

I was on foot in The City, spending the better part of a day wandering around in an area bounded by the Embarcadero and the Bay, Market street more or less, and Fourth Street. I was headed south on a less crowded street, traveling more or less toward the newly remodeled SFMOMA (museum of modern art). I had been looking a the tall building on the right and the bit of the new portion of the museum poking out to its left when the solitary cloud appeared from behind the building and began to move from right to left. Having very little time to contemplate, I framed up this vertical composition and made the photograph “street” style, using the prime lens already on the camera and simply shooting handheld

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature

Pinnacles, Searles Valley

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Pinnacles, Searles Valley
Trona Pinnacles, Searles Valley, Desert Mountains

Pinnacles, Seamless Valley. Near Trona, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trona Pinnacles, Searles Valley, Desert Mountains

These remarkable pinnacles stand just off to the side of a route I often use to get to Death Valley National Park, and that’s where I was reading on this day back in March. The pinnacles are just outside of their namesake town of Trona, a rather isolated and seemingly decaying old town whose main business seems to be extracting minerals from the playa holding Searles Lake. A drive through the town reveals that it is still alive, but that it is suffering the malady of so many isolated desert towns depending on extraction industries, namely an eventual decline. There are many buildings that have clearly just been abandoned.

The pinnacles are visible a few miles away from Trona, out in the valley just south of the lack. They appear as a long row of huge, tooth-like formations. I understand that they are ancient tufa formations, related to but much larger than the similar formations in some other well-known California locations. I have been contemplating photographing them for years, and from time to time I stop and drive out there. The main challenge has always been the lighting, and every time I’ve been there the light has been the stark, clear sky light of desert day, which is not always conducive to photography. This time that light was softened a bit but a few high clouds and some haze, and as we explored the pinnacles I saw this juxtaposition of near and far towers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Lower Manhattan, Bridge Cables

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Lower Manhattan, Bridge Cables
Lower Manhattan as seen from the Brooklyn Bridge

Lower Manhattan, Bridge Cables. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.