Tag Archives: trees

Orchard and Vineyards

Orchard and Vineyards
“Orchard and Vineyards” — Lush hill country, filled with vineyards and orchards, between Sabrosa and Alijo, Portugal.

One of the days of our Douro Valley walk in Portugal included a section between Sabrosa and Alijo. Between them we descended into this lovely valley full of vineyards and olive groves. We followed turn-by-turn directions from the walk’s organizers, and because of this I did not always track our precise location. That’s my long way of saying that I think this is the valley of the Rio Pinhão, though I’ve so far been unsuccessful in this spot on maps.

Regardless, it was a beautiful area. We came down a steep hill from the heights of Sabrosa, passing around and through vineyards. We reached the bottom of the valley, followed a road for a short distance, crossed a bridge and began the climb up the other side of the valley, a walk that would eventually bring us to our accommodations in the town of Alijo.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees, Meadow and Path

Trees, Meadow and Path
“Trees, Meadow and Path” — A wilderness path leads past a small creek, meadow, and trees to the shoreline of a subalpine Sierra Nevada lake.

In late July I headed into the Sierra Nevada backcountry on a short backpack trip with a group of friends. The trip was special, as I first backpacked with some of them decades ago. It had been quite a while since I went into the wilderness with this gang — so it was something of a reunion. Of course, being the only photographer on the trip meant that I did end up spending some time alone, especially in the early mornings.

Why is that? Well, apparently normal people do not climb out of their sleeping bags when it is still cold and dark outside, and then head out carrying photography gear to look for composition in the pre-dawn light. I hear that most o them, in fact, stay in their sleeping bags, waiting for the sun to warm their tents! I spent a couple of early hours wandering this alpine landscape, making this photograph before the direct sunlight had yet arrived here.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trunks and Needles

Trunks and Needles
“Trunks and Needles” — Trunks and needles at the base of a small copse of Sierra Nevada backcountry trees.

It was early evening, and I had been working subjects along the shoreline of a subalpine Sierra Nevada lake. There’s lots to see in such places — the shoreline itself, meadows ringing the lake, boulders scattered here and there. As the light over the lake became less interesting my attention turned to the nearby lodgepole pine forest.

While the lake was fairly well-lit, with nothing to block the remaining light, the forest was dark and mysterious. As I poked around the forest’s edge I found several examples of twisting trees growing very closely together and catching the colorful reflected light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning Forest

Morning Forest
“Morning Forest” — An “imaginary landscape” photograph of a foggy morning forest scene, using in-camera motion bur.

From time to time I experiment with ways to portray the landscape in a more abstract fashion. I often refer to these photographs as “imaginary landscapes.” While the line between “real” and “imaginary” can be pretty fuzzy in photography, these photographs make no pretense of portraying the objective facts of the scene. (To be clear, no photograph is fully objective, but I digress…)

In this case I used intentional (or perhaps unintentional — you decide) techniques to blur the details of the scene, leaving the biggest elements intact but leaving a lot to the imagination. The original scene is the edge of the forest next to a small lake on a foggy morning.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.