Tag Archives: two

Marina Auto Body

Marina Auto Body
Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body is not a place I had previously noticed on my San Francisco street photography walks. I’m a bit surprised, as it it is just a short distance down a side street that I almost always cross when walking from the train station toward the central downtown, and I have photographed other subjects near this intersection. Perhaps this time I missed the walk signal, looked around for a moment, and happened to see it.

I think that I perhaps first noticed the two figures standing in front of the show and set off against the mostly-blue paint of the building. I walked up the street so that I could be directly across the street to photograph — I might have wished to be a bit closer, but I had little choice given the wide and very busy street. I waited, and finally was able to photograph during a break in the traffic. The little building is visually remarkable, with vividly painted scenes on each of the large doors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Sandhill Cranes In Flight

Two Sandhill Cranes In Flight
Two sandhill cranes take to the air on a foggy morning

Two Sandhill Cranes in Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two sandhill cranes take to the air on a foggy morning.

Most often when I see these birds in flight they are in somewhat larger groups, especially during the daily fly-in and fly-out events. Then they may fly in long lines, either side by side or beak to tail. By comparison to some of the other birds of similar size, they usually have a fairly smooth and steady sort of flight — with the exception of absolutely manic moves that they sometimes make when they arrive in the evening, with some birds seemingly dropping suddenly out of the sky and skidding off in odd directions.

This pair was almost heading straight toward me, and at a fairly low altitude. This is a bit unusual, as that groups that are about to fly over me typically divert at the last minute and pass to one side or the other. (I’d guess that out of all the groups that look like they will fly right over me, no more than one our of twenty actually do.) One thing I enjoy about this photograph is that you can see the birds in two different ways — either as a pair of separate individuals or as a striking combined x-shaped pattern.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Buildings, Night

Two Buildings, Night
“Two Buildings, Night” — Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Two Sandhill Cranes in Flight

Two Sandhill Cranes in Flight
Two sandhill cranes in synchonized flight against blue sky

Two Sandhill Cranes in Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two sandhill cranes in synchonized flight against blue sky

Photographing birds in flight can be rewarding in a number of ways. Careful attention to the birds may reveal a species you haven’t seen before or an interesting variation on a familiar bird. I have developed a greater awareness of the infinite variations of wing position and motion and the relative positioning of birds in groups. And, to be honest, there is the technical challenge of trying to keep the critters in the viewfinder, get focus, and produce a decent image.

Other than the fact that they tend to not come as close as I might like, sandhill cranes aren’t among the most difficult birds to photograph in flight. There are the usual issues of light (it tends to leave the bottom of the birds in shadow except early and late in the day) and distractions from extraneous subjects. But they move fairly slowly and steadily. The pair flew above me, uncharacteristically close to my position, and I made the photograph as their wings were almost perfectly synchronized.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.