Tag Archives: urban

Free Beans

Free Beans
A very worn, largely illegible, and graffiti-covere sign on a Manhattan business.

Free Beans. © Copyright 2022 G Dan Mitchell.

A very worn, largely illegible, and graffiti-covered sign on a Manhattan business.

We don’t know if they are good beans, but at least they are free, or so we are led to believe. This window, made opaque, was under scaffolding that covered a sidewalk next to the building in Manhattan. Such scaffolding seems ubiquitous to me. I can’t vouch for this, but I was told by someone who should know about such things that the scaffolding contractors like to leave the stuff up since it is less expensive than moving it and warehousing it!

This kind of forgotten urban detritus fascinates me. At some point in the past, someone must have put some thought into the signage, determining which colors to use, what size fonts to use for different text, and aligning those yellow lines that divide it into sections. But neglect, weather, and graffiti have done their work, and today it is hard to even figure out what the sign is about.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Strolling on Madison Avenue

Strolling on Madison Avenue
Pedestrians stroll past street vendor stalls on Madison Avenue, Manhattan.

Strolling on Madison Avenue. © Copyright 2022 G Dan Mitchell.

Pedestrians stroll past street vendor stalls on Madison Avenue, Manhattan.

We did quite a bit of walking on our August Manhattan visit. We have a (perverse, according to New Yorkers) habit of visiting during August, something that dates back to the days of summer vacation from my teaching work. But August isn’t exactly the most pleasant time to be in New York City… unless you are a fan of hot weather and ridiculous humidity levels. As a Californian, where we deal with the temperatures but emphatically not the humidity, I’m not one of those fans. Fortunately for us, on this visit the weather was actually quite pleasant.

Our walk on this day took us down into midtown, where we first stopped for an outdoor breakfast along one of the thoroughfares. (Here I discovered something new to me: “All you can drink morning cocktails” — you pay a higher fee and get bottomless cocktails for 90 minutes. Uh, no. Just no. We did not do that!) We resumed out walk, looped over and past the UN Plaza and then heading back toward the center of town, eventually heading back uptown on Madison, which appeared to have been closed for some sort of street market or fair.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mural, Caution Tape

Mural, Caution Tape
Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

Mural, Caution Tape. © Copyright 2022 G Dan Mitchell.

Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

I’m not sure how others see and react to murals like this one in Manhattan, but I respond in several different ways. Sometimes I just see them as what they are — essentially large paintings (or equivalents of painting) displayed outdoors — and I think of them as, essentially, not part of their surroundings but as things that stand alone. At other times I do see them in the context of their surroundings, and when I do the result can be carrying. This one feels more like the latter case to me.

The mural, by Emmanuel Jarus, is near the UN Building in midtown Manhattan. I think it is supposed to produce a sort of uplifting response in viewers, and I’m certainly fine with that. But I saw it more as an element in a complex scene of shapes and colors that includes the intrusion of the sunlit balconies at the right and the odd color and context juxtaposition with the “emergency colors” of the pylons in front of the two benches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Mural, Parking Lot

Mural, Parking Lot
A large mural featuring two faces, above a Manhattan parking lot.

Mural, Parking Lot. © Copyright 2022 G Dan Mitchell.

A large mural featuring two faces, above a Manhattan parking lot.

One of the things I like to do while making street photograph is look for odd, unusual juxtapositions. There are plenty of these in virtually any big city environment, since these places usually bring together a wide variety of people, activities, structures, and more. Street art and murals add another image element to the mix. There are some oddly disparate elements here: the two large figures, cars on lifts, and a couple of people at the lower left.

The mural on this building’s wall features two figures overlooking the street in a somewhat ominous manner. I don’t know the identity of the one on the right but the one on the left appears to be from Kubrick’s “A Clockwork Orange” — which injects an interesting flavor into this street scene. There are other elements here that I find fascinating. I’ll leave most of them to viewers to discover, but that double vertical “dashed line” of windows is intriguing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.