Tag Archives: urban

Zeum, Architectural Detail

Zeum, Architectural Detail
A San Francisco view from the Zeum on a blue sky day.

Zeum, Architectural Detail. © Copyright 2022 G Dan Mitchell.

A San Francisco view from the Zeum on a blue sky day.

Recently I have leaned on a Minor White quote more than once: “One should not only photograph things for what they are but for what else they are.” I’ve always taken this to be about photography’s burden of “capturing the real world,” how limiting that goal may be, and how photographs can be seen in other ways. It is almost always worth asking about a photograph, “Beyond what this is, what is it?”

This is, obviously, a photograph of a bit of architecture in San Francisco, a place called “The Zeum.” I’ve wandered through it many times while on San Francisco photography walks. An incomplete list of the “what else it is” in this photograph could include some of the following. It is about color and light and shadow. It is about perspective and angles and lines. It is about that sky and that single cloud. Perhaps you can think of other things?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Empty Lot, Paris #2

Empty Lot, Paris #2
An empty lot with graffiti in Paris, a 2022 rendition.

Empty Lot, Paris #2. © Copyright 2022 G Dan Mitchell.

An empty lot with graffiti in Paris, a 2022 rendition.

Almost any time I open up an old photograph for some reason other than pure curiosity — and sometimes for that reason, too — I reconsider it and make some minor adjustments that seem like improvements. That might seem odd in today’s world of digital post-processing and inkjet printing. Back in the film era, every print was a unique rendition, the result of physical acts in the darkroom during the printing process. It was literally impossible to do what is the norm today — to make every print exactly the same as the others. All of this is a long way of saying that I don’t see why an early version of a photograph should be the final say on it.

Recently I re-opened this photograph, made a few years back on an evening walk around the Montmartre area in Paris. It was surprising to find this empty lot in a crowded area and to note that it appears to have been empty for some time. There’s a lot going on in the scene, but that blue portrait catches my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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South Beach Harbor, Morning

South Beach Harbor, Morning
Sailboats docked at San Francisco’s South Beach Harbor on a foggy summer morning.

South Beach Harbor, Morning. © Copyright 2022 G Dan Mitchell.

Sailboats docked at San Francisco’s South Beach Harbor on a foggy summer morning.

On occasion I gloat about how fortunate we are to live in the San Francisco Bay Area. (It isn’t perfect, but still…) One of the pluses is proximity to San Francisco, itself. By the “baby bullet train” or by car I can be there in about an hour, at least outside of rush hour. I’ve long enjoyed taking the train up there and then wandering through the city and photographing. I vary my walking routes, but I almost always begin by heading toward the waterfront and past this harbor, where boats lie quietly at anchor in the morning.

Summer in San Francisco (as many tourists discover too late) is not generally a warm and sunny time. Fog is common, especially in the morning, and being surrounded on three sides by water the place can be windy and cool. But all of this produces special atmosphere and light. Here I’m looking past the boats and toward the other side of the Bay, where morning sunlight begins to thin the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.