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Friendly Pizza

Friendly Pizza
A bright red pizza shop on a cold winter day in Manhattan

Friendly Pizza. © Copyright 2017 G Dan Mitchell – all rights reserved.

A bright red pizza shop on a cold winter day in Manhattan

This was one among a string of very cold days in New York City between Christmas and New Years Day. The light was “gray” (though, objectively speaking, “blue” might be a more accurate description) as a result of this weather and of being in the urban canyons of Manhattan. The streets of Manhattan are often very busy and there is a lot to see, but in many areas the actual appearance of the streets is pretty much all business. Aside from those exceptions — some parks and stores, for example — much of the street/sidewalk scene is more about practical than aesthetics. On a cold day this seemed especially true, except that on such a day the contrast with a shop like this one, with its bright red and yellow colors and bright lights, was perhaps stronger than usual.

I sometimes struggle a bit to explain what I “see” when making my street photographs — I know what I’m after but it isn’t easy to put into words. However, I think this photograph does include some of the elements. I see the street as a kind of urban landscape, where the size and color and relatives shapes of things matters. I’m also intrigued by shops, especially when something makes them stand out. (Here it is the color and the corner location.) Perhaps even more important, I’m always on the look out for fleeting human tableaux that form and are gone — here with the fellow striding purposefully toward the shop entrance, the slow-moving man with the wheeled suitcase, and the woman in the winter coat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Dusk, Pond, and Tree

Geese, Dusk, Pond, and Tree
Geese take off over pond and tree at dusk, San Joaquin Valley

Geese, Dusk, Pond, and Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

Geese take off over pond and tree at dusk

This day in the wetlands was something of a surprise. When I arrived before dawn, the light was dreary, with a shield of clouds from a passing cold front hiding the sky and the sun, with the exception of a very narrow band along part of the eastern horizon. There was little photograph in this light, but before long the sun rose though that gap and provided perhaps ten minutes of beautiful light… and then that show was over and the flat light returned. All morning long it remained cloudy, though that band of open sky in the east gradually expanded and worked its way toward my position.

Just past midday I finally took a break and left to grab a bite to eat. An hour later I was back, and now the clouds above this area were breaking up and the light was starting to be interesting. By evening most of the sky was clear, though the air remained hazy — not unusual for this part of the world in winter. I looked around for the birds that I wanted to photograph, but wasn’t finding any large flocks. Finally I made it back to where I started… just as geese began to fly out from their resting place in nearby ponds. I put a long lens on the camera and continued photographing well past sunset, as the sky darkened and waves of birds continued to fly away. In the end, this day was a reminder that sometimes finding beautiful conditions requires facing some less exciting light… and being persistent and patient.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Departure

Departure
waves of Ross’s geese lift off into foggy early morning winter sky

Departure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Waves of geese lift off into foggy early morning winter sky

There are many ways in which geese may depart, and almost any time I watch them I think about when and how they will leave. They might leave one or two at a time, perhaps circling around and returning, or possibly simply flying a short distance to a more interesting spot nearby. They might begin a mass departure by leaving in small groups of perhaps a half-dozen or a few more. The geese in this photograph were leaving in what might be described as waves — groups of perhaps a dozen or two lifting off at once and forming into lines as they headed to the north. There is also that most spectacular event, when many thousands of them erupt into the air simultaneously, with a shocking sound of thousands of wings along with their cries.

On this winter morning we arrived before dawn, as always, and watched as ground fog formed over the wetlands. We did not find the spectacularly large flocks that we sometimes see but there were groups still settled into ponds. As the first light arrived they began to fly away, first a few, then larger groups, until very soon all of them had left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.