Tag Archives: utah

Autumn Cottonwood Tree, Sculpted Rock

Autumn Cottonwood Tree, Sculpted Rock
Autumn Cottonwood Tree, Sculpted Rock

Autumn Cottonwood Tree, Sculpted Rock. Grand Staircase-Escalante National Monument, Utah. October 23, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A cottonwood tree with autumn foliage growing in sculpted sandstone terrain

The subject of this photograph is a sort of invisible icon. Let me explain. The location is not a very popular one by the usual standards. It isn’t easy to get to many places in this sprawling national monument. Things are not signed. There are no “photo spot” signs. The great majority of roads are unpaved and some are quite rough. You won’t find campgrounds with running water and flush toilets. Stores are few and far between. (While part of me is certain that its attractions deserve national park status, and frustrated that certain local politics will likely prevent this in the foreseeable future… another part of me thinks that the relative obscurity of national monument status may also have some benefits.)

Yet, there are places that seem to draw folks who love this land and are willing to search things out a bit. This particular sort of landscape of swooping, curving sandstone shapes, deep water pockets, and the occasional cottonwood tree is not that hard to find, and if you look around a bit you can find many, many examples. On this evening we photographed in soft light created by high clouds, and I decided to find a different angle on this lone cottonwood — one that would include it in a receding sequence of layers of sandstone formations.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Too Many Utah Photographs? (Morning Musings for 11/12/14)

Cracked Mud, Canyon Light
Cracked Mud, Canyon Light

Is it possible to come back from a place with too many photographs? If so, I may be testing that boundary over the next month or so.

My recent visit to Utah was very productive, and at the moment I have Utah photographs ready to post “as far as the eye can see.” Actually, to be more specific, through the next month (minus a few other subjects on weekends) already, with another couple of weeks or more of photographs of this subject still open in Photoshop.

This brings up several thoughts:

  • I do not necessarily regard all of the photographs I share on the website and in social media to be “masterpieces” or even my very best work. I do think that at a minimum they are worthy of a look, and I like to post them as part of my own review process. When I (we?) look at my photographs “in secret,” I see them differently than when I share them where others can see them — so this posting is a part of my own review and filtering process. (For those who are interested, they also probably give some insight into how and what I “see.”)
  • With a total of perhaps a month and a half or more of Utah photographs in the pipeline, I have decided to break up that subject a bit by posting completely different material on weekends and by taking one week in December to continue posting the work from my September back-country photography in Yosemite National Park. That’s right… there is still more work from that adventure!
  • If you are the sort who just can’t wait to see what is coming, let me share a secret. Before many of the current social media sites caught on, Flickr was the main place to share photographs online. I’ve been on Flickr for many years, and since I was already there I continued to post work there even after other sites became more popular — and my sharing workflow still begins with uploading to Flickr. So you can see what is coming to this website and to Facebook, Google Plus, Twitter, ello, and Pinterest by sneaking a look at my Flickr photostream. Or not. ;-)

As a photographer who has so closely identified his work with California — the Sierra, the coast, the redwoods, the deserts, the Central Valley, and more — I’m still a bit surprised at how much I can “see” in Utah and how much photography I have been able to create there!

(The photograph is a sneak preview of one of those upcoming post— it was made in the Grand Staircase-Escalante National Monument of Utah.)

Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment. Connections to photography may be tenuous at times!


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunrise, Capitol Reef

Sunrise, Capitol Reef
Sunrise, Capitol Reef

Sunrise, Capitol Reef. Near Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn clouds about the peaks of Capitol Reef National Park

Finding sunrise light like this is a matter of getting up very early, making some decent pre-dawn guesses about what may happen later, finding a good location… and a whole bunch of plain dumb luck. Oh, and persistence helps, too — if you are out there a lot you will inevitably increase the odds that you’ll encounter the very special light. But no one can call up a small cloud centered above a ridge lit by first light that also turns the distant clouds shades of pink and purple.

Our primary plan on this day was to take a rather long drive down the east side of the park, though the ultimate goal was a bit fuzzy — it could have been a slot canyon I know of or it could have been a higher location that I had visited before. We started out in near darkness from our campsite, crossed the park, and then started south. As dawn approached, it was immediately obvious that the sky was just about to do something amazing, so we quickly found a spot with a panoramic view in most directions, stopped the car, grabbed cameras and tripods, and hurried to find compositions that might make use of this light. Since most of the interesting geological features seemed to be a good ways off, I put a very long lens on my camera and focused on small distant details. For a very brief moment, just as the first light began to gently wash over the high peaks of Capitol Reef, this intense color came to the clouds and one small cloud became visible against the lighter background.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Reflections

Reflective mud and shallow water in a Utah clot canyon
“Canyon Reflections” — Reflections of canyon and sky in the muddy bed of a canyon stream

I was tempted to title this “More Mud.” But I didn’t, even though canyon mud is a very interesting subject throughout this area of the Southwest. I had been in one south Utah location for a few days and it was time to travel to different area to meet up with a friend. Rather than taking the paved routes I decided to follow about 50 miles of gravel back roads — the mileage was shorter but the time was longer. Better yet, this route took me past several interesting sites that I wanted to explore a bit.

One of these is a little canyon that I first visited a few years ago with friends. In fact, this spot was my very first time in one of these deep and narrow canyons. I recall that the entire experience was foreign to me on that first visit — from walking up the middle of a shallow running stream, to shooting in midday for the best reflected light, and the new and unusual (to me) sights and sounds of this part of Utah. So I figured that it might be fun to make a brief stop on this drive and wander back up the canyon for an hour or two. The canyon has many attractions, but one is that its regularly running steam keeps the canyon floor mud damp and reflective. Another is that high red rock walls reflect lovely bright colors down onto the water and the mud. After hitting my turnaround point, as I retraced my steps back down the canyon I paid special attention to the textures and reflections in the mud, and I was excited to find this spot that combined the red sand, the deep blue reflection of sky, the reddish reflection of canyon walls, and the warm light reflected down into the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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