Tag Archives: valley

Photographs: Nature, Photographs: Wildlife

Great Egret Portrait

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Great Egret Portrait
“Great Egret Portrait” — A “head shot” of a great egret.

Great egrets are a common sight here in California, from the coastline to inland wetlands and creeks. Their distinctive white plumage makes them stand out in almost any landscape. It doesn’t hurt that they are quite large, too — the largest of several different egret species. I photographed this one at a wetland area in California’s Central Valley on a foggy day that softened the light.

In some ways it is easy to photograph them, but in others it can be tricky. It is a bit easier to fill the frame with an egret since the birds are large. They also tolerate human presence… up to a point. So, it isn’t too hard to photograph them on the ground. Catching them in flight is a different matter. Most often they will be flying away from me, and when they take off they often do so suddenly and without much warning.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature

Winter Fog and Trees

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Winter Fog and Trees
“Winter Fog and Trees” — Thick tule fog in a thicket of trees, Central Valley.

TWinter is the season for migratory birds in California’s Central Valley, and I try to get out there as often as I can. This region is also the site of extraordinary tule fog — frequently thick enough to make driving quite challenging. My ideal day of bird photography In the Valley starts with early morning fog that begins to thin after dawn. But sometimes the fog does not thin.

This was one of those persistently foggy days. I could hear birds around me, but I could rarely see more than a hundred feet or so into the murk, so bird photography was not happening. That’s my signal to revert to landscape photography, and fortunately the fog produces a moody and mysterious effect on the landscape.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Oak Among The Conifers

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Oak Among The Conifers
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.

Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.

Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature

Islands, Fog

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Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.