Tag Archives: valley

Forest, Drifting Fog

Forest, Drifting Fog
Forest, Drifting Fog

Forest, Drifting Fog. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter evening fog drifts among forest trees, Yosemite National Park

Winter is a special time in Yosemite Valley, and during the first weekend of March it was special for all the usual reasons and a few others. The Yosemite Renaissance XXIX opening reception opening took place on Friday and the Range of Light Film Festival was going on all weekend. Not only did this provide opportunities to view beautiful interpretations of the Sierra and the park by a wide range of visual artists, but it also meant that the place was full of painters, sculptures, photographers, and film-makers, among whom were a good number of personal friends. It seemed like wherever I went I found people I knew. Many were doing their work, but there was a relaxed quality that led to plenty of sitting on rocks, looking at views, conversations, and even a few dinners.

But even without all of that, the Valley seems to me to be at almost its most attractive at this time of year. We arrived on a rainy late afternoon, with snow falling along the upper reaches of the Valley. Clouds and fog and mist were everywhere, blocking the light one moment and then moving to allow bits of light here and there to highlight ridges, trees, cliffs, and peaks. Even photographers who usually shoot somewhere else headed to familiar lookouts such as Tunnel View, and I found myself there more than once. For me, the primary attractions of that place at this time of year — in addition to running into friends and yakking it up — are the vignettes of bits of cloud-shrouded ridges and trees above and the frequent fogs floating through the forest on the Valley floor. So I put on a long lens and pointed the camera either up or down towards these subjects and watched the show. As I was photographing the fog drifting among trees down in the Valley, as in this photograph, I remarked to a nearby photographer friend that this subject forced me to toss out any attempt to work slowly and thoughtfully and methodically. The fog was inconstant motion among the trees and momentary compositions would coalesce in one or another part of the Valley below, only to disappear as quickly as they had appeared. In the time it takes to carefully frame and compose an image the momentary subject would simply disappear, either become completely obscured or else losing its magic as the fog thinned. Quick and instinctive work was and is the only thing that works here!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

White-Faced Ibis feeding in San Joaquin Valley wetlands

As I have pointed out in the past, I’m no bird expert – but I do like to photograph them! For some reason the white-faced ibis has intrigued me for some time. The first time I photographed them it was an accident. I was photographing birds flying overhead on one winter morning when the sky was filled with birds – so many that I mostly just photographed without paying too much attention to the specifics of what I was seeing. Sometime later when I got home and looked at the files I saw that one large group of birds flying in a long row, silhouetted against the brighter sky, had the interesting curved bills that characterize the ibises.

More recently I have learned to look for them, and in some of the places I photograph I now know where to find them, down to the acre in a few cases. In mid-February I went to one of these locations and ended up at a spot where I have seen many of them in the past, often feeding in groups. But this time I saw exactly two. One was behind some reeds and did not make a good photographic subject, but this one was feeding alongside a gravel road right at the edge of the water. I stopped my car – which often serves as an effective blind – and opened a window and waited (somewhat) patiently as the bird worked its way along in the shallow water. The trick is to think of this almost as a portrait – I watch for the bird to turn into the best light, to stand in an interesting position, to face the camera, and to be in a spot that avoids distracting or interfering objects. The egret tends to spend a lot of its time with its beak deep in the water as it looks for food – not a very attractive photographic pose! But it periodically lifts the beak and every so often it briefly stands up straight as seen here. The plumage of this bird is very interesting. It can look just plain dull and almost black in some light. But if it turns its body toward the sun, the feathers become iridescent and have tints of green and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Cranes, Sunrise

Two Cranes, Sunrise
Two Cranes, Sunrise

Two Cranes, Sunrise. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two cranes fly in front the rising sun above San Joaquin Valley wetlands

On New Years Eve 2013 I arrived back in the San Francisco Bay Area from New York after 10:00 PM. 8 hours later (2 hours of unpacking, four hours of sleep, and two hours of driving) I was in the Central Valley, where I met friends to greet the (literal) dawn of 2014 in the company of wild birds. We arrived before sunrise to find light fog drifting about and to hear the sounds of thousands of birds coming from every direction.

We made a few initial photographs before dawn from very close to our meeting location, and then we headed out into this wildlife area to find locations from which the birds (geese, cranes, herons, pelicans, and more) would be more visible. A few minutes later I looked over my left shoulder to see the very first sliver of the sun barely glowing through the layers of fog as cranes and other birds flew across the horizon above the marshland. I quickly found this spot where there was a small tree and where a bit of the further water was visible and I photographed though the sunrise, until the sun rose above the low mist and became to bright to include in the frame. There was a constant flow of birds across the scene – sometimes hundreds of them and sometimes, as in this scene, only a few.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.