Tag Archives: valley

Oak Trees, Spring Snow

Oak Trees, Spring Snow
Snow storm clouds obscure cliffs behind black oak trees

Oak Trees, Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow storm clouds obscure cliffs behind black oak trees

I’ll continue by string of winter(-ish) photographs with another in what is getting close to the end of the new work I produced during my Yosemite Renaissance artist-in-residency this past winter and early spring. I always photograph in the park during these seasons, but this year’s residency provided me with far more opportunities — ranging from utterly freezing winter snow storm days to the sunny and warm early days of spring.

I made this photograph on a spring day, believe it or not — one of those early spring days during the transition from the cold season toward the coming warm season when winter reasserts itself. A small snow storm was passing though Yosemite Valley, and it dropped a thin layer of snow down to this low elevation. Although this snow did not last long, while it fell the Valley was briefly transformed back into a winter landscape. When I think of winter in the Sierra, conifer trees tend to come to mind, so this scene with oak trees under a thin layer of snow was special, with dark trunks and branches set against the snow and cloud-filled sky and a muted view of Valley cliffs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Granite, And Spring Snow

Forest, Granite, And Spring Snow
Gentle spring snow flurries on Yosemite Valley meadows and forest

Forest, Granite, And Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Gentle spring snow flurries on Yosemite Valley meadows and forest

Now that we are well into spring and it feels more like summer here in California, it is fun to take a final look back at winter in the photographic rear-view mirror. It is hard to believe that it was only weeks ago that I was photographing in falling snow in the Valley! When I returned there one week after making this photograph, virtually all traces of the snow had melted and it felt more like late spring or summer.

The storm that came through the Valley during this visit wasn’t a big one. Typical of most “shoulder season” storms in the Sierra, it only dropped an inch or two of snow, and it passed quickly. But for a moment all of the sensory elements of winter made one final stand — the blue-gray color of the scene, the distant cliffs disappearing into falling snow and clouds, and the colors muted to an almost monochrome quality. What the photograph cannot capture, but may possibly suggest, are things like the cool dampness and the changes to sound on these days — a quiet stillness where the sound-space seems larger somehow.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Black Oaks and Ghost Trees

Black Oaks and Ghost Trees
A pair of skeletal dead “ghost trees” behind a row of black oak trunks

Black Oaks and Ghost Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pair of skeletal dead “ghost trees” behind a row of black oak trunks

This is a subject familiar to virtually anyone who has spent much time in Yosemite Valley, and especially to photographers who have worked there. Generally, the black oaks of the Valley are one of its most characteristic features, tied to its relatively low elevation in the Sierra Nevada. Oaks are lowland trees, but they are still abundant at the elevation of the Valley. You’ll find them in warmer, open areas, often near meadows.

While they are not the most colorful trees, in the right light they can be fascinating. Early in the season the backlit leaves can be intensely colorful, and the same effect is possible in autumn light. Their curving, skeletal trunks can be quite beautiful in snow, where they contact with the near-perfect verticals of conifers. This group of trees grows unusually close together. As a result they have strongly vertical character, likely created as they compete with one another for access to sunlight. I photographed these in early spring, when brown autumn leaves remained on the branches and before the new spring growth appeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest Scene

Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.