Tag Archives: walking

Pedestrian With Bucket

Pedestrian With Bucket
Two men walking, one with safety vest and bucket

Pedestrian With Bucket. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men walking, one with safety vest and bucket

I share this in my ongoing effort to perplex those who like my landscape photography… but aren’t so sure about the other stuff! Don’t worry, my intentions are entirely positive. I’ll remain a bit circumspect, but not entirely so. I like photographing urban scenes for a bunch of reasons, ranging from aesthetic to practical. On the practical side, they are often much more accessible — I can literally step out my front door and make photographs or perhaps find them at the end of a one-hour train ridge. They also challenge me to see in ways that are not in my native comfort zone, and they hone my ability to see quickly… which is a good thing. On the aesthetic side, if you know much about the history of photography and photographers, it is obvious that good work can be done in these places.

As to what is going on in this photograph, you shouldn’t view it though the lens of landscape photography. Well, OK, perhaps you could do that. This is a kind of landscape. It even includes some native “wildlife.” When you look at photographs of natural landscape, you probably look beyond the pure “beauty” of place and subject to consider the abstractions of from and color and implied motion and so forth. It might be worth trying the same thing with other subjects!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Walking Woman, Wall

Walking Woman, Wall
A woman walks past a Manhattan wall

Walking Woman, Wall. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan wall

We returned last night from a week in Manhattan, mostly visiting family but also wandering… and eating… and photographing. I know for a fact that I’m not the only so-called nature or landscape photographer who also loves photographing the urban landscape, and when there is hardly a more varied or compelling location than New York City — from Central Park to the skyscraper canyons to the variety of neighborhoods. I’m often happy to just go out walking with my camera, with only the vaguest notions of what I’ll photograph, and to be open to surprise.

We were walking uptown from our hotel, which was on Grand, almost in the middle of the Little Italy area, and we decided to pass through the Washington Square area. We were almost there when we approach portions of the NYU campus and I saw this cubist scene, with colors, shapes, and textures that immediately reminded me of the sandstone canyons of the Southwest. (Yes, my mind works that way, even in the Big City.) I made a few quick initial exposures and then paused to see who would walk into the frame on this sunny morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Walking Man, Narrow Street

Walking Man, Narrow Street
A man walks up a narrow street in Florence, Italy.

Walking Man, Narrow Street. Florence/Firenze, Italy. August 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man walks up a narrow street in Florence, Italy.

This past summer we had the chance to do some extensive travel. The “main event” was a five-week trip that began in New York City and continued to London, Paris, Heidelberg, and various places in Italy. After a week in the wine and olive country of the Chianti region we returned to Florence for a few days before our return flight to the US. My only regret about this last phase of the journey was that we didn’t give ourselves nearly enough time in Florence!

Yes, Florence is now crowded with tourists, and in a place that isn’t that large to begin with the effect is hard to ignore. But putting that aside for a moment, Florence (at least to this observer) combines many things that seem typical of Italy with its own unique qualities. We stayed in the old part of Florence, between the Arno and the Duomo and not far from the Uffizi Museum. The streets here are strikingly narrow and lined with tall buildings, almost all in tones of brown to tan. The effect on the light reminds me in ways of being in the canyons of the American Southwest, though populated and perhaps more twisty, not by necessity following the effect of gravity on water. Unlike American cities, there are very few obvious signs in most places. And if you go out to the right places at the right times of day you can find nearly empty streets like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Walking Man, Mirrored Wall

Walking Man, Mirrored Wall
A walking man and other people are reflected in a mirrored wall, London

Walking Man, Mirrored Wall. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A walking man and other people are reflected in a mirrored wall, London

Here we have (yet another!) photograph of someone using a smart phone in the urban world, though here there are, I think, a few other elements that got my attention. I’m sure that I was paying attention to the continuous stream of people moving along this sidewalk, and I like to think that some sense of their motion comes through in the photograph. The mirrored wall that contains most of the subjects not only let me capture a “double” of the primary subject, but it also let me bring him forward from the reflected background of all the other people who are only visible in the mirrored image. You might also notice some interesting things related to color.

And there are some surprises. I read somewhere that one of the differences between painting and photography is that while the painter personally puts everything on the canvas (at least mostly) and therefore can know it fully, the photographer cannot possibly know every element of the scene. In fact it is common to only realize that the photograph contains unintentional elements after the fact. One of those is present here — look at the head of the man in his reflected image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.