Tag Archives: wall

Olympic Doorway, Flowers

June 11, 2015 G Dan Mitchell Leave a comment

Street art in a doorway, bouquet of flowers, London street

It has been a very busy day and another busy day is beginning, so this will be a short post today. As we walked past this spot in London on a summer 2013 visit it seemed that perhaps not everyone had been equally enthusiastic about the Olympic Games coming to London…

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Structures and Objects, Photographs: Urban/Street

Fence and Metal Wall

June 3, 2015 G Dan Mitchell Leave a comment

In some ways there is not much to say about this photograph and in some ways there should be much to say about it. But that’s never stopped me before… While I could say more about the subject and the circumstances of the photograph, I don’t think it is that important to do so. I’ll limit myself to saying that I made the photograph while walking through part of San Francisco and that it lies somewhere between being a “quick snap” (which it isn’t) and an image I completely understood at the moment I made it (it isn’t quite that either).

I’ve recently read some (occasionally odd) online discussions of minimalism in photography — what it is and what it isn’t. My ideas about minimalism are only partially based on visual concepts of the “ism,” and more based on my experience with musical minimalism, which I’ve known about for quite a long time. In a sense there are two threads that may ultimately arrive at a similar place. One simply tries to create an image (or other sound/visual object) from as little content as possible. Another may include denser content but rather the representing real things in an objective way it presents patterns or processes to the viewer/listener. (Composer Steve Reich’s concept comes to mind: “Music as a gradual process.”) In both cases I think the object encourages the viewer listener to look past the (often minimal) surface content of the work and into the material and structure of the thing. How it works might be more important than what it is.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Austria

Lamp, Shadow

May 27, 2015 G Dan Mitchell Leave a comment

A lamp casts a shadow across a textured wall, Salzburg, Austria

This is another take on the ubiquitous Salzburg lamps found attached to the walls of many buildings. In the afternoon the light passes right across the textured surface of this wall, producing shadow that is much longer than the lamp itself.

I don’t know what the actual story is regarding these lamps, but once I recognized them I started seeing them all over the place around Salzburg, attached to the walls of various buildings and braced by a pair of curving metal pieces. In many places their locations seemed almost haphazard to me.

All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Austria, Photographs: Structures and Objects, Photographs: Urban/Street

Windows, Lamp, Shadow

May 20, 2015 G Dan Mitchell Leave a comment

In the summer of 2013 we spent three weeks visiting London, Heidelberg, and the Berchtesgaden area of Bavaria. Since we traveled there from Heidelberg by train, we arrived and departed at Salzburg — and since Salzburg was so close we managed to visit that city on other days during our stay. With our musical backgrounds, the first thing we think of when we think of Salzburg is Mozart, since this is his birthplace and the city is still something of a musical center. Of course, once we arrived we realized there is a lot more to the place. (Did someone say “coffee?”)

I love wandering around in virtually any city with a camera, and I did a bit of that sort of wandering here. It was only after photographing in different areas and on different days that I began to recognize these characteristic lamps showing up in many photographs of diverse subjects, at which point they became a bit of a subject for me.