Tag Archives: wetland

Seen Any Geese?

Seen Any Geese?
A gigantic flock of (mostly) snow geese over a wetland pond.

Seen Any Geese?. © Copyright 2021 G Dan Mitchell – all rights reserved.

A gigantic flock of (mostly) snow geese over a wetland pond.

That’s the question. Seen any geese? A few actually. A few thousand. Or perhaps a few ten-thousand. These are among the many birds that migrate south into the continental US in the winter — these travel from the arctic via the Pacific Flyway and then overwinter in various areas in California. I usually don’t photograph them in this sort of midday light, but I decided that I do find the overall blue-ness of this scene to be attractive.

How does a scene like this happen? Initially a large group of thousands of geese is on the ground or in a shallow pond. Not much seems to be going on until all of a sudden many or all of them suddenly take to the air with a tremendous sound of rushing wings. The instigation is not always clear, but it could be a predator flying over, and I’ve seen it happen in response to things like low-flying aircraft. After the initial take-off, the flock may wheel around in expanding circles and spread to cover the sky until they eventually find a new place to settle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Flock of Cranes, Tule Fog

Flock of Cranes, Tule Fog
A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

Flock of Cranes, Tule Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

This photograph comes from late last year, a few days before Christmas, when I spent a day photographing birds in the Central Valley of California. I picked a particularly lonely day — a good thing right now! — and arrived well before dawn after driving through thick tule fog. When I arrived in the first faint light I could hear birds but I certainly could not see them. I set out to see if I could find any that were close enough to be visible in the fog, and eventually I came upon a very large group of lesser sandhill cranes that had settled in and around this pond.

On most mornings the cranes tend to depart as soon as the sun rises, but perhaps the thick fog persuaded them to stick around a bit longer. In any case, although it was well after sunrise by this point, a very large group of cranes seemed to be feeding and generally milling about slowly. At one point this group seemed to adopt a common goal of walking across the scene from right to left, and I was able to photograph them lined up and facing the same direction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog and Reeds

Fog and Reeds
Dense winter tule fog, tule islands, and a wetland pond.

Fog and Reeds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dense winter tule fog, tule islands, and a wetland pond.

From time to time I like to do visual experiments, seeing how minimal the content of the image can be and still work. Sometimes these photograph balance on an edge between portrayal of the real and pure color and form. I feel that images like this can portray or evoke the mood of a subject, even if they don’t include much detail at all. The idea is to suggest more than to tell.

The winter tule fogs of California’s Central Valley often do a fine job of minimizing landscape details. (They also do a fine job of minimizing the details of the roads I drive to get there, but I digress…) These shallow fog layers settle in during the winter and can be some of the thickest fogs you’ll ever encounter. Oddly, because they are so shallow, sometimes your vision straight upwards is barely impeded at all — and as I made this photograph the nearly-full moon was clearly visible overhead. But the view out into the landscape was radically limited, hardly extending more than a few tens of feet and muting details of closer subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandhill Cranes and Tree, Tule Fog

Sandhill Cranes and Tree, Tule Fog
“Sandhill Cranes and Tree, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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