Tag Archives: white

Ross’s Geese in Flight

Ross's Geese in Flight
“Ross’s Geese in Flight” — Ross’s geese descend toward a wetland pond.

On our return trip from Death Valley in late February we took a short detour in California’s Central Valley to look for migratory geese. Their winter visit to the state is soon coming to an end, so I wanted to see them again this season. It was a quick stop, but we found our geese, and I made this photograph of a small flock of Ross’s geese descending toward a wetland pond.

when I first started photographing birds a couple of decades ago I had little idea what I was doing, but I did know that I wanted to photograph “snow geese.” (Ross’s geese aren’t snow geese, but they are very similar.) The photograph illustrates how much pictures of flocks of birds rely on luck. Note the two geese at lower right, positioned so that one does not obscure the view of the other’s head. Look at the positions of the two more distant geese behind the bird at lower left. And then note the the other four birds are also all positioned so that their heads are visible. You would almost think that they posed for me…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Great Egret Portrait

Great Egret Portrait
“Great Egret Portrait” — A “head shot” of a great egret.

Great egrets are a common sight here in California, from the coastline to inland wetlands and creeks. Their distinctive white plumage makes them stand out in almost any landscape. It doesn’t hurt that they are quite large, too — the largest of several different egret species. I photographed this one at a wetland area in California’s Central Valley on a foggy day that softened the light.

In some ways it is easy to photograph them, but in others it can be tricky. It is a bit easier to fill the frame with an egret since the birds are large. They also tolerate human presence… up to a point. So, it isn’t too hard to photograph them on the ground. Catching them in flight is a different matter. Most often they will be flying away from me, and when they take off they often do so suddenly and without much warning.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning Fog, Autumn Forest

Morning Fog, Autumn Forest
“Morning Fog, Autumn Forest” — Morning fog darkens a dense autumn forest.

Sometimes there are photographs in (almost) your own backyard. As much as anyone else, I enjoy traveling to beautiful places to make photographs. But I can’t go to such places all the time, so it is fortunate that there are plenty of interesting things to see close by. In my area that might include the redwoods or the Pacific Ocean… or just a nearby rural area at the right time of year.

I made this photograph along a road that is far from famous. (Perhaps the only people who would know about it are those who pass by on their way to a nearby local park with hiking trails). But around here, in the San Francisco Bay Area, there are lots of little spots where trees grow thickly and where fall colors continue right on into December.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Aspen Trees, Utah

Autumn Aspen Trees, Utah
“Autumn Aspen Trees, Utah” — Dense forest of tall aspen trees with autumn foliage, Dixie National Forest.

This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.

Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.